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    <title>YCAM Portal</title>
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    <id>tag:www.ycam.jp,2007-09-23:/en//16</id>
    <updated>2013-01-18T06:45:50Z</updated>
    
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<entry>
    <title>scopic measure #15Rhizomatiks New Installation &quot;pulse 3.0&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/art/2013/01/scopic-measure-15.html" />
    <id>tag:www.ycam.jp,2013:/en/art//14.3045</id>

    <published>2013-01-26T01:00:00Z</published>
    <updated>2013-03-26T18:05:30Z</updated>

    <summary> A new format emerging from a mixture of...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/art/">
        <![CDATA[ <p><strong>A new format emerging from a mixture of design and art</strong></p>
<br />
<p>This exhibition introduces a new installation work by Rhizomatiks, a production company operating in a wide range of areas including web design, music video and interactive advertising.</p>]]>
        
    </content>
</entry>

<entry>
    <title>scopic measure #14Goh Uozumi New Installation &quot;observer n&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/art/2012/08/scopic-measure-14.html" />
    <id>tag:www.ycam.jp,2012:/en/art//14.3044</id>

    <published>2012-08-25T01:00:00Z</published>
    <updated>2012-12-05T02:54:32Z</updated>

    <summary> An attempt to build an autonomous decen...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/art/">
        <![CDATA[ <p><strong>An attempt to build an autonomous decentralized network system expanding "theory-of-life" reality</strong></p>
<br />
<p>Goh Uozumi, an up-and-coming artist who received an Encouragement Prize at the Japan Media Arts Festival 2009, presents his newest work. In this installation, Uozumi sets up a pluralistic, autonomous decentralized network system that facilitates reciprocal interaction with the environment within the exhibition space.</p>
<br /><div id="fastlookup_top"></div>]]>
        
    </content>
</entry>

<entry>
    <title>Guest Research Project vol.2 related exhibition</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/art/2012/08/guest-research-project-vol2.html" />
    <id>tag:www.ycam.jp,2012:/en/art//14.3415</id>

    <published>2012-08-18T01:00:00Z</published>
    <updated>2012-12-05T02:54:39Z</updated>

    <summary>Advanced technology and creativity combi...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/art/">
        <![CDATA[<p><strong>Advanced technology and creativity combined<br />
Introducing software that is currently under development at YCAM</strong></p>
<br />
<p>In July 2012, the Yamaguchi Center for Arts and Media [YCAM] has launched the "Guest Research Project" for joint research and development with engineer/artist James George. Held in conjunction with this program is an exhibition including two works made using a prototype of currently developed software, which allows simple arrangements on a timeline of various types of interaction based on sensors, sound, etc.</p><div id="fastlookup_top"></div>]]>
        <![CDATA[<br />
<hr>
<br />
James George, Jonathan Minard<br />"Clouds" (2012)
<br />
<img src="http://www.ycam.jp/art/2012_grp2_02.jpg" width="420" height="236" />
<p>Clouds is a computational documentary featuring twenty five prominent new media artists and theorists in conversation about digital culture, computation and the future of visualization.The subjects float in a stark void, their figures emerging from points connected by flickering lines. They are composed of pure computational matter; the same stuff the artists depicted use to realize their visions on a daily basis.A passion for code and impulse to share unites this network of creative minds whose collective efforts in the digital universe are actively shaping the one we live in.<br />
Interviews with the artists are collected in a new virtual 3D film format, called "RGB+Depth", in which traditional high-definition color video is paired with 3dimensional point cloud information from a Kinect depth sensor. The result is a volumetric moving-image in a 3D space where virtual cameras can view the subject from any vantage point.</p>
<br />
<p id="aeaoofnhgocdbnbeljkmbjdmhbcokfdb-mousedown">Cooperation: Frank-Ratchye Studio for Creative Inquiry, Eyebeam Art + Technology Center, Resonate.io</p>
<br />
<br />
James George<br />"Spectacle of Change" (2012)
<br />
<img src="http://www.ycam.jp/art/2012_grp2_01.jpg" width="420" height="280" />
<p id="">Spectacle of Change is a two channel video installation composed of six video portraits of artists from Islington Mill, an artist community in Salford, UK. The area has recently become home to a multimillion dollar "media city" outfitted with cutting edge digital technology, which sits in stark contrast with the area's historic waterfront and industrial heritage. Accompanying these portraits is audio of the artists discussing the role of digital culture in their work and daily lives, and the ways they are embracing or contending with these technological advancements.<br />
The artists are represented here using an emerging filmic technique developed by James George, which establishes an aesthetic dialogue with both the thematic content of the interviews and the circumstances out of which the installation itself was borne. (Text by Julia Kaganskiy)</p>
<br />
<p>Cooperation: Frank-Ratchye Studio for Creative Inquiry, Eyebeam Art + Technology Center, Resonate.io</p>
<br />
<hr>
<br />
<p>*For detailed information on the "Guest Research Project" please visit the <a href="http://interlab.ycam.jp">YCAM InterLab website</a>.</p>]]>
    </content>
</entry>

<entry>
    <title>glitchGROUND - A media art center&apos;s proposal for new educational environments</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/art/2012/05/glitchground.html" />
    <id>tag:www.ycam.jp,2012:/en/art//14.3043</id>

    <published>2012-05-19T01:00:00Z</published>
    <updated>2012-08-13T07:26:01Z</updated>

    <summary> Nurturing a new type of &quot;sportiness&quot; th...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="kidsmeetingforbetterplayground" label="!!Kid&apos;s meeting for better playground" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="openinglecturedemonstrationquotmediaeducationenvironmentsoftomorrowquot" label="<![CDATA[!!Opening Lecture & Demonstration &quot;Media education environments of tomorrow&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="symposiumquothowtodesignaworkshopquot" label="<![CDATA[!!Symposium &quot;How to design a workshop&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ycamgallerytourglitchground" label="!!YCAM Gallery Tour (glitchGROUND)" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ycamworkshops" label="!!YCAM WORKSHOPS" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/art/">
        <![CDATA[ <p><strong>Nurturing a new type of "sportiness" through media technology</strong></p>
<br />
<p>This exhibition introduces the educational programs implemented at YCAM since the center's opening. Next to showcasing previous workshops and those that are currently under development, the park style setting of the "Korogaru Koen Park" offers visitors the opportunity to experience a variety of devices utilizing sound, sensor and other media technology. Here the equipment is not the attraction, but by merging seamlessly with the environment, this new type of park stimulates the user's senses, and induces the creation of a new form of entertainment. As the accumulated data of user actions determine changes in the behavior of the park environment as a whole, each visit to the exhibition brings new experiences and discoveries with it.</p>
<br />
<p><a href="http://glitchground.ycam.jp/">exhibition website</a></p>]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[Daito Manabe + Motoi Ishibashi new installation &quot;particles&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/art/2011/02/daito-manabe-motoi-ishibashi-n.html" />
    <id>tag:www.ycam.jp,2011:/en/art//14.2677</id>

    <published>2011-02-12T12:00:51Z</published>
    <updated>2011-05-05T14:16:32Z</updated>

    <summary> The continuously burgeoning work of Dai...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/art/">
        <![CDATA[ <b>The continuously burgeoning work of Daito Manabe and Motoi Ishibashi 
in a showcase of unique ideas and excellent skills inspired by media art</b><br />
<br />
Daito Manabe and Motoi Ishibashi, two creators that have been utilizing media technology in their various endeavors traversing a wide area between art, design, advertising and music, unveil their newest work in the particles exhibition at the Yamaguchi Center for Arts and Media [YCAM].<br /> 
Part of a special program of the Japan Media Arts Festival installed with the aim to offer opportunities to appreciate outstanding works of media art, the exhibition is co-hosted by YCAM and the Agency for Cultural Affairs. Next to producing and presenting the newest work of Daito Manabe and Motoi Ishibashi, prizewinners at the Japan Media Arts Festival, YCAM will also be showing video footage of award-winning works at the 13 th (2009) and 14 th (2010) Japan Media Arts Festival. In addition, a concurrently held exhibition introduces two recent acclaimed works by the artists that have been attracting attention with their combination of unique ideas and excellent programming skills. <br /> 
Experience the fascination of media art and new forms of technology-based expression in this first major showcase of the artists' continuously burgeoning work exploring the potentials of media art through repeated research, studies and experimentation.<br /> 
<br /> 
<font style="font-size: 0.8em;">*The exhibition is open through March 31st as a special program of the Japan Media Arts Festival, after which it will continue until May 5th, then hosted by the Yamaguchi City Foundation for Cultural Promotion. </font><br /> 
<br /> ]]>
        <![CDATA[<img src="http://www.ycam.jp/art/photo/ycam_SONICFloor_w.jpg"><br />
<font style="font-size: 0.8em;">Daito Manabe + Motoi Ishibashi &quot;SONIC Floor&quot;
(Kitakyushu Innovation Gallery & Studio, 2007)</font><br />
<br />
<b><font style="font-size: 1.2em;">New territories opened up through hybrid creative activity</font></b><br />
<br />
Daito Manabe and Motoi Ishibashi are continuously active as artists, designers and engineers operating across a broad range of fields. While involved as programmers and engineers in various commissioned works created in-residence at YCAM, they have been working on numerous large-scale projects embracing business solutions and information services. Armed with unique ideas and excellent skills, they keep charting new territories and possibilities in media expression through the development of original devices, interface design and programming-based system planning in the realm of industrial development and the production of commercial spaces. As creators covering a wide range of media, they have been part of numerous cross-national collaborative projects, while operating a recently established creative space for research and experimentation. Together they are actively engaging in the formation of a community that functions as a hub for experimental media technology-based artistic work, and an aggregation of human resources and technologies. <br />
Next to unveiling their brand new work as one major attraction of "media art", this exhibition includes a screening of video footage introducing the duo's previous experimental projects and other endeavors, with the aim to indicate possible future directions in creative work based on interaction and the human body.<br />
<br />
<img src="http://www.ycam.jp/art/photo/ycam_particles02_w.jpg"><br />
<font style="font-size: 0.8em;">Workshop (Setagaya Public Theatre, 2009)</font><br />
<br />
<hr>
<br />
<b><u>WORKS[Special program of the Japan Media Arts Festival]</u></b><br />
<b>Daito Manabe + Motoi Ishibashi &quot;particles&quot;<br />
<font style="font-size: 0.8em;">□Related video screenings</font><br />
&quot;Daito Manabe + Motoi Ishibashi  Digest  2004-2011&quot;<br />
&quot;Japan Media Arts Festival Digest&quot;</b><font style="font-size: 0.8em;"> *Through March 31, 2011</font></b><br />
<br />
<b><a href="http://www.ycam.jp/art/2011/01/ycam-scopic-measure11-12-parti.html"> Concurrent Event：<br />YCAM exhibition series for the future artist &quot;scopic measure&quot;</a></b><br />
<b><font style="font-size: 0.8em;">#11</font> Daito Manabe &quot;electric stimulus to face&quot;</b><br />
<b><font style="font-size: 0.8em;">#12</font> Daito Manabe + Motoi Ishibashi &quot;fade out&quot;</b><br />
<br />
<hr>
<br />
<b><font style="font-size: 1.2em;">Daito Manabe + Motoi Ishibashi &quot;particles&quot;</font><br />
<font style="font-size: 0.8em;">newwork, 2010｜Installation</font></b><br />
<br />
<img src="http://www.ycam.jp/art/photo/particles_w.jpg"><br />
<font style="font-size: 0.8em;">Daito Manabe + Motoi Ishibashi &quot;particles&quot; Lighting points operation screen.</font><br />
<br />
An illumination installation of seemingly floating lights that create a fantastic afterimage, this work centers around an organically spiral-shaped rail construction on which a number of balls with built-in LEDs are rolling while blinking in different time intervals, resulting in spatial drawings of light particles in all kinds of shapes. The illumination's three-dimensional design, achieved through a fusion of the rail construct's characteristic features and communication control technology, takes on various appearances depending on the viewer's position. Look forward to an exciting new work that combines generally entertaining ideas and sophisticated information technology in everything from LED devices and other hardware to programming.<br />
<br />
<br />
<br />
<font style="font-size: 0.8em;">
Organized by: Yamaguchi City Foundation for Cultural Promotion<br />
Co-sponsor: Agency for Cultural Affairs <br />
In association with: Yamaguchi City, Yamaguchi City Board of Education<br />
Production support: rhizomatiks, DGN<br />
Technical support: YCAM InterLab<br />
Produced by: Yamaguchi Center for Arts and Media [YCAM]<br />
*The exhibition is open through March 31st as a special program of the Japan Media Arts Festival, after which it will continue until May 5th, then hosted by the Yamaguchi City Foundation for Cultural Promotion. </font><br />







  

  



  
  
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    </content>
</entry>

<entry>
    <title><![CDATA[Noritoshi Hirakawa  new installation&quot;Beyond the sunbeam through trees&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/art/2011/01/-beyond-the-sunbeam-through-tr.html" />
    <id>tag:www.ycam.jp,2011:/en/art//14.2803</id>

    <published>2011-01-04T15:00:00Z</published>
    <updated>2011-08-21T14:05:38Z</updated>

    <summary>A new artistic hybrid of installation an...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="gallerytournoritoshihirakawaquotbeyondthesunbeamthroughtreesquotyokoandoquotreactingspacefordividualbehaviorquot" label="<![CDATA[!!Gallery tour (Noritoshi Hirakawa &quot;Beyond the sunbeam through trees&quot; / Yoko Ando &quot;Reacting Space for Dividual Behavior&quot;)]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="soundtectonics9" label="!!sound tectonics #9" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/art/">
        <![CDATA[<b>A new artistic hybrid of installation and performance - internationally 
renowned artists from different genres present the fruits of their collaboration</b><br />
<br />
The Yamaguchi Center for Arts and Media [YCAM] is hosting an exhibition of contemporary artist Noritoshi Hirakawa's new installation - a fusion of imagery, sound and body expression conceived with the aim to explore new horizons in artistic expression. 
The installation integrates elements of light, imagery and sound that together contain the manifestation of spiritual energy and human awareness. The visitor generates through his activate participation various interaction between the elements of light (sunbeams falling through trees), music and video footage inspired by a single woman's subtle feelings and behavior.<br />
Composer/musician Michael Rother and dancer Yoko Ando took charge of the creation of visuals and sounds that, in concert with the dynamics of light, define the piece's distinctive flavor. Their residence at YCAM was for the three artists a period of mutual inspiration and stimulation, and we are now proud to present the much anticipated result of these internationally renowned creators' first ever collaboration.<br />]]>
        <![CDATA[<br />
<br />
<b>Movement and spriritual energy generated through light, imagery of body expression and sound<br /></b>
Contemporary artist Noritoshi Hirakawa has been examining individual interpretations of free will to live utilizing a wide range of styles and rather propositional artistic language since the 1980s. This exhibition introducing his long-awaited new work is an experimental attempt to enhance the methodology of past audiovisual installations produced and presented at YCAM, by adding a performance element to the basic installation incorporating light, imagery and sound.<br />
In this work, the emotions and movements born out of a single woman's struggle are expressed through various technology-based interaction between light, imagery and sound. The audience participation-based system behind this work is designed to channel the spectator's consciousness and energy into a cyclic mechanism that stimulates the female protagonist's consciousness and thus animates the work itself. While experiencing a gradually transforming space-time, visitors will be able to perceive the existence of their own energy.<br />
<br />
<img src="http://www.ycam.jp/art/beyond2.jpg"><br />
<font style="font-size: 0.8em;">Noritoshi Hirakawa  "Insearch of a Purple Heart" (2005, Salon94, New York）</font><br />
<img src="http://www.ycam.jp/art/photo/NH-Heimweh_ycam_w.jpg"><br />
<font style="font-size: 0.8em;">Noritoshi Hirakawa  "NH Heimweh nach der Heimat" (1996, Theater Am Turm, Frankfurt)</font><br />
<br />
<br />
<hr>
<br />
<b><font style="font-size: 1.2em;">Noritoshi Hirakawa<br />"Beyond the sunbeam through trees"</font><br />
<font style="font-size: 0.8em;">Collaborating artists: Michael Rother (Musician),Yoko Ando (Dancer）<br />
2011 (commissioned by YCAM)｜audiovisual installation<br />
text by Noritoshi Hirakawa</font></b><br />
Contemporary artist Noritoshi Hirakawa has been examining individual interpretations of free will to live utilizing a wide range of styles and rather propositional artistic language since the 1980s. This exhibition introducing his long-awaited new work is an experimental attempt to enhance the methodology of past audiovisual installations produced and presented at YCAM, by adding a performance element to the basic installation incorporating light, imagery and sound.<br />
In this work, the emotions and movements born out of a single woman's struggle are expressed through various technology-based interaction between light, imagery and sound. The audience participation-based system behind this work is designed to channel the spectator's consciousness and energy into a cyclic mechanism that stimulates the female protagonist's consciousness and thus animates the work itself. While experiencing a gradually transforming space-time, visitors will be able to perceive the existence of their own energy.<br />
<br />
<img src="http://www.ycam.jp/art/photo/hirakawa_bstt_w.jpg"><br />
<font style="font-size: 0.8em;">Noritoshi Hirakawa "Beyond the sunbeam through trees" (2011, commissioned by YCAM)<br />
<br />
<br />
Organized by: Yamaguchi City Foundation for Cultural Promotion<br />
In association with: Yamaguchi City, Yamaguchi City Board of Education<br />
Grants from: THE ASAHI SHIMBUN FOUNDATION<br />
Supported by: The Agency for Cultural Affairs, Government of Japan (FY 2011)<br />
Cooperation: Watari Museum of Contemporary Art; The Museum of Modern Art, Gunma; WAKO WORKS OF ART; Gallery HAM; NANZUKA UNDERGROUND; Tomo Suzuki Japan
Equipment cooperation: Color Kinetics Japan Incorporated<br />
Technical support: YCAM InterLab<br />
Produced by: Yamaguchi Center for Arts and Media [YCAM]<br />
<br />
Curator: Kazunao Abe (YCAM)

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    </content>
</entry>

<entry>
    <title><![CDATA[Yoko Ando  new installation&quot;Reacting Space for Dividual Behavior&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/art/2011/01/-reacting-space-for-dividual-b.html" />
    <id>tag:www.ycam.jp,2011:/en/art//14.2802</id>

    <published>2011-01-03T15:00:00Z</published>
    <updated>2011-08-21T14:05:30Z</updated>

    <summary>Dancer Yoko Ando&apos;s interactive installat...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="lsquoreactingspacefordividualbehaviorlsquoworkshop" label="<![CDATA[!!&lsquo;Reacting Space for Dividual Behavior&lsquo; Workshop]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gallerytournoritoshihirakawaquotbeyondthesunbeamthroughtreesquotyokoandoquotreactingspacefordividualbehaviorquot" label="<![CDATA[!!Gallery tour (Noritoshi Hirakawa &quot;Beyond the sunbeam through trees&quot; / Yoko Ando &quot;Reacting Space for Dividual Behavior&quot;)]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="yokoandodancedemonstration" label="!!Yoko Ando Dance demonstration" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/art/">
        <![CDATA[<b>Dancer Yoko Ando's interactive installation co-developed with YCAM </b><br />
The Yamaguchi Center for Arts and Media [YCAM] hosts an exhibition of "Reacting Space for Dividual Behavior", an interactive installation co-developed by YCAM and dancer Yoko Ando, a central member of The Forsythe Company.  <br />
In this work, Ando focuses on methods of intellection, perception and communication in the realm of physical expression that she has cultivated during her career to date, and illustrates these subjects by means of an installation to be experienced by every visitor to the Center. Through their interaction with the virtual environment that is part of the installation, visitors can discover movements, memories and motifs that lie dormant in their own bodies. 
Applying the structure of various installations shown at YCAM in the past to the realm of body expression, the piece encourages visitors to perceive aspects of space, body and movement in an entirely new way. During the exhibition period, the potentials of this work as an experimental environment for rediscovering one's body will be widely showcased also in a workshop and demonstration with/by the artist herself, using the actual display at YCAM.
<br />]]>
        <![CDATA[<br />
<br />
<b><font style="font-size: 1.2em;">Yoko Ando's own body language showcased as a methodology of dance</font><br />
Implementing aspects of intellection, perception and communication in physical expression</b><br />
Yoko Ando has been operating in the front line of the international contemporary dance scene as a central member of The Forsythe Company. Working with the Company since 2001, under William Forsythe she developed her very own body language, intuition and philosophy of dance, which have been reflected also in the projects and solo performances Ando has been engaging in lately.<br />
By addressing issues related to the human body and the sensibility of a dancer that she has cultivated during her career to date, Ando aims to generate an experimental environment for us to rediscover our perception of the human body and the surrounding space, as well as the various unconscious movements, memories and motifs that lie dormant in our bodies. Incorporating technologies and suggestions provided by the YCAM InterLab team of experts specializing in the creation of media art, this "intellection, perception and communication in physical expression" themed new installation examines the relationships between body mechanics, surrounding environments, and our perception of these, with the aim to sublimate these aspects into an innovative methodology through effective use of media technology. <br />
The experience of this installation will be an opportunity for visitors to discover and exploit a professional dancer's perception of the body, while at the same time encountering new possibilities of their own bodies' innate movements and imaginations.<br />
<br />
<img src="http://www.ycam.jp/art/photo/yokoando_ycam_work02_w.jpg"><br />
<img src="http://www.ycam.jp/art/photo/yokoando_ycam_work_w.jpg"><br />
<font style="font-size: 0.8em;">photo: Dominik Mentzos</font><br />
<br />
<br />
<b><font style="font-size: 1.2em;">Yoko Ando "Reacting Space for Dividual Behavior"</font><br />
audiovisual installation / 2011 (commissioned by YCAM) </b><br />
The installation "Reacting Space for Dividual Behavior" functions as a mechanism that temporarily dismantles the continuity of the visitors' movements and body images, in order to encourage them to explore a variety of perspectives of the body, and rediscover their own features and physical reactions.<br />
Several invisible (virtual) objects are distributed across the exhibition space, to be perceived by the visitor via sounds and images triggered by interaction of the physically present body with the virtual environment that contains these objects. In a setting where real and virtual overlap, unpredictable physical reactions and new perspectives on the body refresh the visitor's perception of space, the human body, and its movements.
<br />
<br />
<img src="http://www.ycam.jp/art/photo/andoyoko_ycam_stage_w.jpg"><br />
<font style="font-size: 0.8em;">sketch drawing for installation (April, 2011)</font><br />
<br />
<br />
<font style="font-size: 0.8em;">Organized by: Yamaguchi City Foundation for Cultural Promotion<br />
In association with: Yamaguchi City, Yamaguchi City Board of Education<br />
Co-developed with: YCAM InterLab<br />
Produced by: Yamaguchi Center for Arts and Media [YCAM]<br />
<br />
Sound design: Masashi Heirakuji<br />
Vusual programming: Satoru Higa<br />
Curator: Kazunao Abe (YCAM)<br />



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    </content>
</entry>

<entry>
    <title><![CDATA[scopic measure #13  Ryoichi Kurokawa &quot;rheo: 5 horizons&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/art/2011/01/scopic-measure-13.html" />
    <id>tag:www.ycam.jp,2011:/en/art//14.2801</id>

    <published>2011-01-02T15:00:00Z</published>
    <updated>2011-11-14T04:59:30Z</updated>

    <summary>Ryoichi Kurokawa - an artist pursuing th...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="soundtectonics10" label="!!sound tectonics #10" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="soundtectonicsinstallation34" label="!!sound tectonics installation #3 / #4" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/art/">
        <![CDATA[<b>Ryoichi Kurokawa - an artist pursuing the sophisticated art of "temporal sculpting" with sound and imagery</b><br />
<br />
In volume 13 of the ongoing <em>scopic measure</em> series introducing works and projects by up-and-coming artists at the Yamaguchi Center for Arts and Media [YCAM], Berlin-based video/sound artist Ryoichi Kurokawa presents his piece <em>rheo: 5 horizons</em>. In this installation, Kurokawa uses a 5-channel sound system and five large monitors to create a spatial/temporal sculpture. His elaborate technique and delicate artistic expression are highly regarded both in Japan and abroad<font style="font-size: 0.8em;"> (*1)</font>. The scenery, merging together sound and imagery in a flowing transformation, inspires a new sensory experience of watching sound and hearing images. <br />
In connection with this exhibition, YCAM also introduces a number of related works, and hosts a live music event with Kurokawa and other artists. Their various sophisticated performances will highlight the diverse potential of sound-based expression.<br />
<br />
<font style="font-size: 0.8em;">*1) Winner of a Golden Nica in the digital music category of one of the world's largest media art festivals, Ars Electronica, in 2010, and nominated by the review committee in the art category (installation) at the 14th Japan Media Arts Festival.<br />
[In the <em>sound tectonics #10</em> live concert that takes place concurrently with scopic measure, Kurokawa performs his piece <em>Rheo</em> (2009), which served as a foundation for <em>rheo: 5 horizons</em>. The event marks at once the first ever combined staging of both installation and performance in Japan.]</font><br />
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        <![CDATA[<br />
<b><font style="font-size: 1.2em;">Ryoichi Kurokawa  "rheo: 5 horizons"</font><br />
<font style="font-size: 0.8em;">2010｜audiovisual installation｜8min</font></b><br />
<br />
<em>rheo: 5 horizons</em> is an audio-visual installation that inspires a new sensory experience of "watching sound" and "hearing images". It is composed of five flat-panel-displays and five multi-channel speakers, whereas each vertically long visual element is linked and synchronized with one mono channel audio source. These pairs are juxtaposed in line like a quintet, and behave as five independent audiovisual apparatuses. The scenery of digitally reproduced high-resolution imagery, perfectly synchronized with playbacks of field recordings, combines both minimalism and complexity into an exquisite spatial construct of architectural beauty. <br />
The piece that ultimately builds a "sculpture integrating sounds and visuals" can be considered as an attempt to melt and amalgamate such different elements as imagery and sound, nature and digital technology, with the help of a computer. The title "Rheo" refers to the Greek expression for "flow/current", and was inspired by the term "panta rei" coined by philosopher Heraclitus. Like the providence of life and nature, the essential things are constantly flowing and moving along. By integrating elaborately constructed high-grade imagery and sound as a single current in time and space, the piece explores the limits of human perception.

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<img src="http://www.ycam.jp/art/photo/still_00w.jpg" /><br />
<font style="font-size: 0.8em;">Ryoichi Kurokawa  "rheo: 5 horizons" (2010)　©Ryoichi Kurokawa</font><br />
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<hr>
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<em>"rheo: 5 horizons" translates temporal and spatial transitions into audiovisual motion as a dynamic fluid, and builds a spatial construction that facilitates a new form of audiovisual perception. In combination with sound, the visual impact emphasizes the behavior of the audio source, and highlights its motion, direction and position in the space. By integrating imagery and sound, the piece layers aspects of movement, direction, speed, shape, color, weight and texture on a parallel timeline, creating out of these multi-layered elements temporal sculptures within looped sequences of eight minutes length. The spatially architectural forms generated this way reflect my synaesthetic approach encompassing the viewer's senses of vision, hearing and touch from different angles. <br />
</em><br />
Ryoichi Kurokawa<br />
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<hr>
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<font style="font-size: 0.8em;">
Organized by: Yamaguchi City Foundation for Cultural Promotion<br />
In association with: Yamaguchi City, Yamaguchi City Board of Education<br />
Cooperation: Cimatics<br />
Technical support: YCAM InterLab<br />
Produced by: Yamaguchi Center for Arts and Media [YCAM]<br />
</font>
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    </content>
</entry>

<entry>
    <title>sound tectonics installation #3 / #4</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/art/2011/01/sound-tectonics-installation-3.html" />
    <id>tag:www.ycam.jp,2011:/en/art//14.2935</id>

    <published>2011-01-02T14:58:43Z</published>
    <updated>2012-01-11T09:10:07Z</updated>

    <summary>In this next event in the sound tectonic...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="scopicmeasure13ryoichikurokawaquotrheo5horizonsquot" label="<![CDATA[!!scopic measure #13 Ryoichi Kurokawa &quot;rheo: 5 horizons&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="soundtectonics10" label="!!sound tectonics #10" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/art/">
        <![CDATA[In this next event in the <em>sound tectonics</em> series introducing the latest efforts in electronic sound and related fields by artists from Japan and abroad, the Yamaguchi Center for Arts and Media [YCAM] presents a live concert paired with an installation.<br />
As a new feature in this series, evala and Ryoichi Kurokawa will additionally introduce specially commissioned works in YCAM's patios, incorporating sound systems set up in the venue's basement. A rare opportunity to experience performances and sound installations at once, this showcase of the diverse potential of acoustic expression will highlight the featured artists' finely-honed senses and broad imagination.<br />
<br />]]>
        <![CDATA[<br />
<b><font style="font-size: 1.2em;">Installation Series<br />
<em>sound tectonics installation</em></font></b><br />
Held concurrently with a live concert, this time's <em>sound tectonics</em> installation event introduces new commissioned installations by evala and Ryoichi Kurokawa, both of whom are appearing in <em>sound tectonics #10</em> concert, each shown at one of YCAM's two patio spaces. evela, who has earned himself a worldwide reputation for his large-scale installations of dense three-dimensional sound, creates through the process of acoustic reflection, amalgamation and autonomous generation as-yet-unknown sonic environments. Ryoichi Kurokawa presents a revised sound installation version of his work <em>celeritas</em> (2009), recombined in accordance with the spatial characteristics of the patio setting.<br />
<br />
<hr>
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<b><u>Exhibited works: </u></b><br />
<br />
<b><font style="font-size: 0.8em;"><u>sound tectonics installation #3</u></font></b><br />
<b><font style="font-size: 1.2em;">evala "void-inflection"　</font></b><br />
<font style="font-size: 0.8em;">new work / commissioned by YCAM</font><br />
This sound installation utilizes a parallel 5.1-channel surround system to construct a novel kind of virtual sonic environment. Vast amounts of sound data, tagged according to their acoustic characteristics and fed through a processor, autonomously form an adventurous yet delicate type of music. This generation process in which - impossibly to realize without a computer - even acoustic phases are twisted, results in the emergence of a prismatic sonic environment that is neither artificial nor natural. <br />
<br />
<b><font style="font-size: 0.8em;"><u>sound tectonics installation #4</u></font></b><br />
<b><font style="font-size: 1.2em;">Ryoichi Kurokawa "Remapped extract of 'celeritas' "</font></b><br />
<font style="font-size: 0.8em;">revised version｜commissioned by YCAM</font><br />
With this sound installation version, Ryoichi Kurokawa takes his work <em>celeritas</em> (2009) onto new territory after presenting it in such different formats as audiovisual installation, live concert and theatre. For this piece, he recombined audio sources from celeritas into a 5.1-channel composition, tailored to suit spatial characteristics of this time's patio setting.  <br />
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<hr>
<br />
<font style="font-size: 0.8em;">
Organized by: Yamaguchi City Foundation for Cultural Promotion<br />
In association with: Yamaguchi City, Yamaguchi City Board of Education<br />
Cooperation: Cimatics<br />
Technical support: YCAM InterLab<br />
Produced by: Yamaguchi Center for Arts and Media [YCAM]<br />
</font>
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    </content>
</entry>

<entry>
    <title>Guest Research Project vol .1 Related Exhibition</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/art/2011/01/guest-research-project-vol-1-r.html" />
    <id>tag:www.ycam.jp,2011:/en/art//14.2964</id>

    <published>2011-01-02T03:19:05Z</published>
    <updated>2012-01-11T09:09:57Z</updated>

    <summary>The Yamaguchi Center for Arts and Media ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/art/">
        <![CDATA[The Yamaguchi Center for Arts and Media [YCAM] invites engineers and researchers focusing on cutting-edge subjects related to media art, to participate in the "Guest Research Project" and work on joint projects with YCAM's own "InterLab" research and development team.<br />
In this first installment, New York-based engineer/artist Kyle McDonald will stay and work at YCAM for about three months. His joint research at the Center will revolve around "calibration" technology as used in computer vision, and culminate in the presentation of a "projector camera toolkit" developed during that period.<br />
In tandem with the research program, two works realized with McDonald's participation are on display at two separate locations at YCAM.<div id="fastlookup_top"></div>]]>
        <![CDATA[<strong>Media art integrating advanced techniques, ideas and creativity</strong><br />
<br />
Kyle McDonald, who will stay and work as a guest researcher at YCAM, has been producing works informed by a combination of advanced technical skills and expertise in the ﬁelds of art and science, and participated in a number of rather extensive projects. His international reputation is primarily based on his achievements in the realm of software development, where he has been modifying cutting-edge technologies for use in highly versatile systems. As part of the Guest Research Project, YCAM exhibits two works in which McDonald demonstrates his exquisite combination of an inquiring mind regarding technology, and distinctly playful sensitivity. Aiming to introduce the fruits of the joint research and development efforts to a broader audience, we are further planning to exhibit works implementing the newly developed technology.<br />
<br />
<strong>Exhibited Work</strong><br />
<br />
<font style="font-size:1.4em"><strong>The Janus Machine</strong></font><br />
<font style="font-size:0.9em">Kyle McDonald, Zach Lieberman, Theo Watson, Daito Manabe<br />
2010 | Installation</font><br />
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<iframe src="http://player.vimeo.com/video/16197436?title=0&amp;byline=0&amp;portrait=0" width="400" height="225" frameborder="0" webkitallowfullscreen="" mozallowfullscreen="" allowfullscreen=""></iframe>
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This is a work in which facial expressions of visitors and other persons are synthesized into three-dimensional images of faces that change their appearance in various ways.The mechanism of generating images by processing three-dimensional measurement data of faces is based on the "DIY 3D Scanning" open-source software that McDonald developed in 2009.<br />
The contours of the face of a visitor sitting on a chair in the exhibition booth are scanned in a shower of light, and translated into a three-dimensional rendition of him/her. The generated image appears on a screen in the back, where it is synthesized with data stored in a computer, and ultimately transforms into a variety of new expressions, including those of (previously recorded) other persons that can be of different age or sex. "Janus" in the title refers to the double-faced god and guardian in Roman mythology, and the notions of transition and duality - come/go, past/future, young/old - it implies. Seemingly proposing new interpretations of ancient myths and metaphors, the work highlights the boundaries between the self and others, the past and the future.
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<font style="font-size:1.4em"><strong>I Eat Beat</strong></font><br />
<font style="font-size:0.9em">Kyle McDonald<br />
2008-2009 | Installation</font><br />
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<iframe src="http://player.vimeo.com/video/625464?title=0&amp;byline=0&amp;portrait=0" width="400" height="302" frameborder="0" webkitallowfullscreen="" mozallowfullscreen="" allowfullscreen=""></iframe>
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I Eat Beats is a percussion instrument that can be played by placing candies as "musical notes" onto lines projected onto the top of a table, resulting in a limitless variety of rhythms. The work was ﬁrst unveiled as a prototype using such simple devices as a web camera and computer, combined with image-recognition technology. It is easy to play for anyone, and allows for ensemble performances by multiple players at once. This original electronic instrument that can be enjoyed while eating candies reﬂects McDonald's playful approach juxtaposing innovative ideas and techniques, and can be considered as a prototype tangible user interface.<br />
[As part of the exhibition at YCAM, visitors can try and play the "nstrument" using similar objects.]<br />
<br />
<font style="font-size:0.8em">Organized by: Yamaguchi City Foundation for Cultural Promotion<br />
In association with: Yamaguchi City,Yamaguchi City Board of Education<br />
Co-developed with: YCAM InterLab<br />
Produced by: Yamaguchi Center for Arts and Media [YCAM]</font>]]>
    </content>
</entry>

<entry>
    <title><![CDATA[LabACT vol.1  We connect to the world through our eyes- Eye-Tracking study&quot;The EyeWriter&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/art/2011/01/labact-vol1-the-eyewriter.html" />
    <id>tag:www.ycam.jp,2011:/en/art//14.2800</id>

    <published>2011-01-01T15:00:00Z</published>
    <updated>2011-12-26T09:35:52Z</updated>

    <summary>Drawing with the eyes. YCAM launches an ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="symposiumquotemtheeyewriteremperspectivesbeyonddevelopmentandsharingquotbrlabactvol1relatedevent" label="<![CDATA[!!Symposium &quot;<em>The EyeWriter</em> - Perspectives beyond development and sharing&quot;<br />(LabACT vol.1- related event)]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ycamgallerytourlabactvol1relatedevent" label="!!YCAM Gallery tour (LabACT vol.1- related event)" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ycamoriginalworkshopquoteye2eyequotbrlabactvol1relatedevent" label="<![CDATA[!!YCAM Original Workshop &quot;Eye2Eye&quot;<br />(LabACT vol.1- related event)]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/art/">
        <![CDATA[<b><font style="font-size: 1.2em;">Drawing with the eyes.</font><br />
YCAM launches an exhibition project showcasing and practically applying The EyeWriter, a device for drawing by using just the eyes</b><br />
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The Yamaguchi Center for Arts and Media [YCAM] announces "LabACT": a series of exhibitions introducing creative work inspired by a dialogue between science and art, in a broad context including social aspects, and with a special focus on the technical aspects of media art. This year's program includes two exhibitions themed around eye-tracking technology. The first one presents <em>The EyeWriter</em>, a device for drawing by the line of sight that has been developed in the USA.  <br />
Along with a general overview of <em>The EyeWriter</em> project, and an explanation of the technical development, the exhibition features a hands-on booth for visitors to try the latest version of the device for painting pictures with their eyes. A workshop and display of new installation work based on the latest technology complete the program of this multidisciplinary exhibition demonstrating the media-informed developments in technology, thought, and artistic expression, using examples of <em>The EyeWriter</em>'s practical application.  
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        <![CDATA[<br />
<b><font style="font-size: 1.2em;">Creative diversity and social meaning carved by technology, examined through <em>The EyeWriter</em>'s operation</font></b><br />
<em>The EyeWriter</em> project, launched in 2010, was inspired by an American graffiti artist's desire to be able to "draw again" after his body was paralyzed due to Amyotrophic Lateral Sclerosis (ALS).<br />
A group of participants centered around a core of artists and engineers from all parts of the world developed a mechanism for drawing with the eyes using open-source software and available devices, the function of which they are continually revising.
The exhibition showcases the achievements made in this project that is heavily influenced by new technologies and the philosophy of sharing technology and information, and offers visitors the opportunity to try the newest version, <em>The EyeWriter 2.0.</em> Furthermore, the exhibition includes new interactive installations by two artists, realized using eye-tracking software that is available as open-source software.  
<br />
<br />
<iframe src="http://player.vimeo.com/video/6376466?title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff" width="400" height="225" frameborder="0" webkitAllowFullScreen allowFullScreen></iframe><p><a href="http://vimeo.com/6376466">The Eyewriter</a> from <a href="http://vimeo.com/fi5e">Evan Roth</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
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<b><u>Exhibited works</u></b>
<br />
<b><font style="font-size: 1.2em;">"The EyeWriter"</font><br />
<font style="font-size: 0.8em;">Documentation</font></b><br />
Next to panel displays and documentary/explanatory footage of <em>The EyeWriter</em> project, the exhibition includes a hands-on booth in which visitors can try <em>The EyeWriter 2.0.</em> After an initial calibration of the gaze tracking function, visitors can enjoy various features, such as writing graffiti or playing games with just their eyes. Through such displays facilitating the experience and understanding of <em>The EyeWriter</em>, the exhibition outlines the project at large, its social significance, and its continual development thanks to the sharing of technologies.<br />
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<b><font style="font-size: 1.2em;">exonemo "EyeWalker"</font><br />
<font style="font-size: 0.8em;">new work (commissioned by YCAM） / installation</font></b><br />
This work allows visitors to experience jumps of vision according to a changing line of sight. Monitors ("objects") fitted with video cameras are installed at various locations and in different angles inside the YCAM building, transmitting images of the facility's interior to a monitor in the user (visitor) booth. When the user spots and focuses on one of these "objects" on the monitor screen, the image instantly switches to live footage from the respective object, which again includes other objects that can be "selected". <br />
Here The EyeWriter's software is used for identifying the object the user looks at on the monitor, and triggering a system selecting sources of live video transmission. Submerged in the images on the monitor in the user booth, the visitor's sense of vision wanders from one object to another, according to the focal point of his/her gaze. The work that stretches our sensation of being absorbed in visual information to the extreme, and creates the optical illusion of jumping from one real space to another. It disturbs relationship between the act of watching and the watching of the individual's own existence.
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<b><font style="font-size: 1.2em;">Semitra "eyeFont"</font><br />
<font style="font-size: 0.8em;">new work (commissioned by YCAM） / installation</font></b><br />
In this work, a new interactive installation version of Semitra's "tFont/fTime"exhibition (2009) revolving around typeface design, visitors' eye movements are utilized for the creation of typefaces.<br />
Visitors look at letters appearing on a monitor, and overwrite these with their own line of sight. The letters drawn this way are stored in a database, where they are archived for the duration of the exhibition. The act of drawing lines through eye movements is a novel kind of experience that combines inconvenience and a sensation of lacking proficiency and refinement. Although made under the control of consciousness, these letters are products of parts of the human body that cannot be controlled completely. The work and the myriad variations of letters created and accumulated in it showcases possible typeface designs made with the line of sight, whereas it will be particularly interesting to see to what extent basic proportions remain intact, and what gets distorted for the sake of new individual designs.    
<b>"eyeFont" Archive Website: <a href="http://eyefont.semitra.com/">http://eyefont.semitra.com/</a></b><br />
<br />
<b><u>  Related events</u></b><br />
<b>Symposium "<em>The EyeWriter</em> - Perspectives beyond development and sharing"</b><br />
October 1 (Sat) 15:30-18:00   Admission free　<br />
Panelists: Zach Lieberman, exonemo, Ryoji Tanaka (Semitra), Hideyuki Ando (Associate professor at Osaka University) <br />
 *interpretation available<br />
<br />
<b>YCAM Original Workshop "Eye2Eye"</b><br />
October 1 (Sat), November 6 (Sun), December 4 (Sun) <br />
13:00-15:00<br />
*Full tour on each day; number of participants limited to 20 per tour (reservation required)
 Lecturer: YCAM Education staff<br />
Target group: 4rd grade students and older<br />Fee: 500yen<br />
<br />
<br />
<font style="font-size: 0.8em;">
Organized by: Yamaguchi City Foundation for Cultural Promotion<br />
In association with: Yamaguchi City, Yamaguchi City Board of Education<br />
Supported by: The Agency for Cultural Affairs, Government of Japan (FY 2011)<br />
Corporate sponsor: Shiseido Co., Ltd.<br />
Technical support: YCAM InterLab<br />
Produced by: Yamaguchi Center for Arts and Media [YCAM]<br />
<br />
Curator: Kazunao Abe (YCAM)<br />
Technical director: Takayuki Ito（YCAM InterLab）<br />
<br /></font>



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</entry>

<entry>
    <title><![CDATA[LabACT vol.2Seiko Mikami &quot;Eye-Tracking Informatics&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/art/2011/01/labact-vol2-molecular-informat.html" />
    <id>tag:www.ycam.jp,2011:/en/art//14.2799</id>

    <published>2010-12-31T15:00:00Z</published>
    <updated>2012-03-28T14:48:52Z</updated>

    <summary>Masterworks of media art reincarnated th...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/art/">
        <![CDATA[<b>Masterworks of media art reincarnated through joint development at YCAM<br />
The visualized line of sight stimulates interactive communication with the virtual world.</b><br />
<br />
The Yamaguchi Center for Arts and Media [YCAM] has launched the "LabACT" series of exhibitions showcasing from a broad point of view creative and social values generated through a dialogue between science and art. Following the currently showing "The EyeWriter", in the upcoming second installment artist Seiko Mikami is going to unveil her new installation titled "Eye-Tracking Informatics".
This piece is a remake of one of Mikami's most representative works from the 1990s, in which two participants communicate and navigate within a three-dimensional virtual space through movements of their own visualized lines of sight, updated and enhanced at YCAM by reflecting the latest technological trends. This rather exquisite yet at once dynamic reincarnation in terms of imagery, sound, hardware and other aspects, presents an opportunity for visitors to enjoy a totally new form of spatial sculpting by means of eye-based communication and visualized traces of the eyes' movements

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        <![CDATA[<br />
<strong>An experience of haptic communication as generated by the visualized line of sigh</strong><br/>
<br/>
In her artistic work, Seiko Mikami is consistently pursuing the connection between information society and the human body as a central theme. In "Molecular Informatics", one of her most well-known works made in 1996, the eye movements of participants wearing eye control devices are visualized as sequences of molecules in a virtual space, resulting in three-dimensional shapes drawn "with the eyes". At a time when eye control technology itself was still new and uncommon, this attempt to introduce such technology into the realm of art had a major impact on the international art scene as soon as it was unveiled, and was subsequently showcased around the world in repeatedly upgraded versions. However, as it was not developed to correspond with the rapidly advancing information technology, the work as such was not publicly exhibited for several years.
This exhibition presents "Eye-Tracking Informatics", a technically updated and enhanced remake of this distinguished work of media art.
<br /><br />
<strong>Seiko Mikami "Eye-Tracking Informatics"</strong><br/>
<br/>
Based on the ideas of "observing the act of observation" and "consciously and unconsciously established lines of vision", this installation generates traces of two participants' respective lines of sight. The participants experience an almost "haptic" kind of communication based on their own visualized lines of sight in a three-dimensional virtual space. In this process, their respective lines of vision enact a complex, organic architectural construct that could be considered as "bioarchitecture".<br/>
In this remake, the implementation of the open-source project "The EyeWriter ver 2.0" made it possible to utilize eye control technology wi thout wearing any device, and to navigate unrestrictedly within the naked eye's broad ﬁeld of view. Thanks to the contributions of such noted artists as evala and Norimichi Hirakawa (collaborating as guest programmers), elements of imagery, sound and interactivity of the original work were updated to such an extent that this new version can be regarded as a completely new piece of art.
<br/>
<br/>
<font style="font-size:0.8em">
Organized by: Yamaguchi City Foundation for Cultural Promotion<br/>
In association with: Yamaguchi City, Yamaguchi City Board of Education<br/>
Cooperat ion: Tama Art Universi ty Media Art Lab., NTT InterCommunication Center [ICC]<br/>
Corporate sponsors: Color Kinetics Japan Incorporated<br/>
Co-developed with: YCAM InterLab<br/>
Produced by: Yamaguchi Center for Arts and Media [YCAM]<br/>
Sound Programming: evala<br/>
Visual Programming: Norimichi Hirakawa<br/>
Curator: Kazunao Abe (YCAM)<br/>
Technical director: Takayuki Ito（YCAM InterLab)
</font>]]>
    </content>
</entry>

<entry>
    <title><![CDATA[Seiko Mikami new installation &quot;Desire of Codes&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/art/2010/04/seiko-mikami-desire-of-codes.html" />
    <id>tag:www.ycam.jp,2010:/en/art//14.2205</id>

    <published>2010-04-14T15:20:22Z</published>
    <updated>2010-06-06T11:58:31Z</updated>

    <summary> From perceiving cells to the coded indi...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="seikomikamisotaichikawaquotgravicellsgravityandresistancequotrevisedversion" label="<![CDATA[!!!!Seiko Mikami + Sota Ichikawa &quot;gravicells - gravity and resistance&quot; [revised version]]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="quotkongaracameraquottangledviewsworkshop" label="<![CDATA[!!&quot;Kongara Camera&quot; Tangled Views Workshop]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gallerytourseikomikamiquotdesireofcodesquot" label="<![CDATA[!!Gallery Tour - Seiko Mikami &quot;Desire of Codes&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="takashiikegamiquotmtmmindtimemachinequot" label="<![CDATA[!!Takashi Ikegami &quot;MTM [Mind Time Machine]&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gallerytourquotgravicellsgravityandresistancequot" label="<![CDATA[Gallery Tour - &quot;gravicells - gravity and resistance&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/art/">
        <![CDATA[<br />
<b><font style="font-size: 1.25em;">From perceiving cells to the coded individual. </font></b><br />
<br />
We are pleased to announce the opening of the "Desire of Codes" exhibition introducing a brand new installation piece by Seiko Mikami at YCAM. Mikami chose "information society and the human body" as the central theme of her artistic endeavors since the 1980s, and stepped into the spotlight of the international art scene after introducing computing technologies to her critical and provocative examinations of technology and art in the '90s.<br />
Next to the presentation of a new co-production by Seiko Mikami and YCAM that forms the centerpiece of this exhibition, the "surveillance society and human desires" themed event encompasses also a display of Takashi Ikegami's new installation incorporating aspects of brain science and complex system, as well as a revised version of "gravicells--gravity and resistance", a work on which Mikami collaborated with Sota Ichikawa. <br />
<br />
<b>Exhibition website: <a href="http://doc.ycam.jp">http://doc.ycam.jp</a>/</b><br />
<br />
- Exhibited work<br />
Seiko Mikami "Desire of Codes"<font style="font-size: 0.8em;"> (new work / commissioned by YCAM)</font><br />
- Related works<br />
Takashi Ikegami "MTM [Mind Time Machine] "<font style="font-size: 0.8em;"> (new work / commissioned by YCAM)</font><br />
Seiko Mikami + Sota Ichikawa "gravicells - gravity and resistance"<font style="font-size: 0.8em;">(revised version / commissioned by YCAM)</font><br />
<br />
<br />
]]>
        <![CDATA[<br />
<b>Seiko Mikami "Desire of Codes"</b><font style="font-size: 0.8em;">(new work / commisioned by YCAM)</font><br />
<br />
<b>Large-scale installation at YCAM's theatre hall<br />
The "individual" visitor in a double role as a subject of expression and observation</b><br />
<br />
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<br />
<br />
This interactive installation consisting of three parts is set up in YCAM's Studio A, a space that is normally used for theatre performances.<br />
A large number of devices resembling tentacles with built-in small cameras are placed across a huge wall (Part 1), while six robotic "search arms" equipped with cameras and projectors are suspended from the ceiling (Part 2). Each device senses with insect-like wriggling movements the positions and movements of visitors, and turns toward detected persons in order to observe their actions. In addition, a giant round-shaped screen that looks like an insect's compound eye is installed in the back of the exhibition space (Part 3). Visual data transmitted from each camera, along with footage recorded by surveillance cameras installed at various places around the world, are stored in a central database, and ultimately projected in complex images mixing elements of past and present, the venue itself and points around the globe, onto the screen. The compound eye visualizes a new reality in which fragmentary aspects of space and time are recombined, while the visitor's position as a subject of expression and surveillance at once indicates the new appearances of human corporeality and desire. <br />
<br />
<b>detail of the work：<a href="http://doc.ycam.jp/work/">http://doc.ycam.jp/work/</a></b><br />
<br />
Production support: Ryota Kuwakubo, Norimichi Hirakawa, Sota Ichikawa, TAKEGAHARASEKKEI<br />
<br />
<br /><img src="http://www.ycam.jp/art/photo/doc_01_w.jpg"><br />
<br /><img src="http://www.ycam.jp/art/photo/doc_progress_01w.jpg"<br />
<br />
<br />
<font style="font-size: 0.8em;">Organized by Yamaguchi City Foundation for Cultural Promotion<br />
In association with Yamaguchi City, Yamaguchi City Board of Education<br />
Grants from THE ASAHI SHIMBUN FOUNDATION<br />
Corporate sponsors: AD Science Co., Microvision, Inc.<br />
Cooperation: Tama Art University Media Art Lab.; The University of Tokyo, Graduate School of Arts and Sciences Department of General Systems Studies Ikegami lab; ATAK; DGN co., ltd.; Perfektron LLC.<br />
Co-developed with YCAM InterLab<br />
Produced by Yamaguchi Center for Arts and Media [YCAM]<br />
Design: METAPHOR<br />
Curator: Kazunao Abe (YCAM)<br />
</font>]]>
    </content>
</entry>

<entry>
    <title><![CDATA[Takashi Ikegami &quot;MTM [Mind Time Machine]&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/art/2010/04/takashi-ikegami-mtm-mind-time.html" />
    <id>tag:www.ycam.jp,2010:/en/art//14.2365</id>

    <published>2010-04-14T15:20:21Z</published>
    <updated>2010-06-06T11:59:34Z</updated>

    <summary> From perceiving cells to the coded indi...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="quotkongaracameraquottangledviewsworkshop" label="<![CDATA[!!&quot;Kongara Camera&quot; Tangled Views Workshop]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gallerytourseikomikamiquotdesireofcodesquot" label="<![CDATA[!!Gallery Tour - Seiko Mikami &quot;Desire of Codes&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="seikomikamisotaichikawaquotgravicellsgravityandresistancequotrevisedversion" label="<![CDATA[!!Seiko Mikami + Sota Ichikawa &quot;gravicells - gravity and resistance&quot; [revised version]]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="seikomikaminewinstallationquotdesireofcodesquot" label="<![CDATA[!!Seiko Mikami new installation &quot;Desire of Codes&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/art/">
        <![CDATA[<br />
<b><font style="font-size: 1.25em;">From perceiving cells to the coded individual. </font></b><br />
<br />
We are pleased to announce the opening of the "Desire of Codes" exhibition introducing a brand new installation piece by Seiko Mikami at YCAM. Mikami chose "information society and the human body" as the central theme of her artistic endeavors since the 1980s, and stepped into the spotlight of the international art scene after introducing computing technologies to her critical and provocative examinations of technology and art in the '90s.<br />
Next to the presentation of a new co-production by Seiko Mikami and YCAM that forms the centerpiece of this exhibition, the "surveillance society and human desires" themed event encompasses also a display of Takashi Ikegami's new installation incorporating aspects of brain science and complex system, as well as a revised version of "gravicells--gravity and resistance", a work on which Mikami collaborated with Sota Ichikawa. <br />
<br />
<b>Exhibition website: <a href="http://doc.ycam.jp">http://doc.ycam.jp</a>/</b><br />
<br />
- Exhibited work<br />
Seiko Mikami "Desire of Codes"<font style="font-size: 0.8em;"> (new work / commissioned by YCAM)</font><br />
- Related works<br />
Takashi Ikegami "MTM [Mind Time Machine] "<font style="font-size: 0.8em;"> (new work / commissioned by YCAM)</font><br />
Seiko Mikami + Sota Ichikawa "gravicells - gravity and resistance"<font style="font-size: 0.8em;">(revised version / commissioned by YCAM)</font><br />
<br />
<br />
In this event YCAM challenges a new exhibition format that includes an additional display of a new installation realized with complex systems scientist Takashi Ikegami as a supplementary work based on the same "human body in surveillance society" theme. Ikegami has designed this interactive installation in reference to the dynamics of mind time, inspired by the idea of self-organizing, subjective timeline in brain science.<br />
<br />]]>
        <![CDATA[<br /><br />
<hr>
<br />
<b>Takashi Ikegami "MTM [Mind Time Machine] "</b><font style="font-size: 0.8em;"> (new work / commissioned by YCAM)</font><br />
<br />
<img src="http://www.ycam.jp/art/photo/mtm_01_w.jpg"><br />
<br />
For the new challenge of this exhibition, by way of extending the theme "Desire of Code" of Seiko MIkami, we at the same time present a new art installation "MTM [Mind Time Machine]" directed by a complex systems scientist, Takashi Ikegami. Ikegami is producing an interactive work of mind time processes from the viewpoint of a self-organizing, subjective timeline. <br />
The concept of this work is based on the American brain physiologist Benjamin Libet's studies. Ikegami will reconstruct the subjective momentary "Now" by producing an optical landscape of human cognition that emulates the network of conscious, unconsciousness, and memory processes. <br />
In this installation, MTM [Mind Time Machine], 15 cameras of 4 different types will shoot the actual movements of the audience as they enter the venue. Those images will be processed and evolved in real time by the programs that originally developed from the ideas of complex systems. The final output of the images will be projected onto the three big screens, which correspond to consciousness/unconsciousness/memory, and the corresponding sound images will be produced with the 3.2 channels.<br />
<br />
<b>detail of the work: <a href="http://doc.ycam.jp/relatedworks/index_en.html/">http://doc.ycam.jp/relatedworks/index_en.html/</a></b><br />
<br /><img src="http://www.ycam.jp/art/photo/mtm_02_w.jpg"<br />
<br />
<font style="font-size: 0.8em;">Production support: Motoi Ishibashi, evala, Yuta Ogai, Keiichiro Shibuya, Kenshu Shintsubo<br />
<br />
Organized by Yamaguchi City Foundation for Cultural Promotion<br />
In association with Yamaguchi City, Yamaguchi City Board of Education<br />
Grants from THE ASAHI SHIMBUN FOUNDATION<br />
Corporate sponsors: AD Science Co., Microvision, Inc.<br />
Cooperation: Tama Art University Media Art Lab.; The University of Tokyo, Graduate School of Arts and Sciences Department of General Systems Studies Ikegami lab; ATAK; DGN co., ltd.; Perfektron LLC.<br />
Co-developed with YCAM InterLab<br />
Produced by Yamaguchi Center for Arts and Media [YCAM]<br />
Design: METAPHOR<br />
Curator: Kazunao Abe (YCAM)<br />
</font>]]>
    </content>
</entry>

<entry>
    <title><![CDATA[Seiko Mikami ＋ Sota Ichikawa &quot;gravicells - gravity and resistance&quot; [revised version]]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/art/2010/04/seiko-mikami-sota-ichikawa-gra.html" />
    <id>tag:www.ycam.jp,2010:/en/art//14.2366</id>

    <published>2010-04-14T15:20:20Z</published>
    <updated>2010-06-06T12:00:28Z</updated>

    <summary>  From perceiving cells to the coded ind...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="quotkongaracameraquottangledviewsworkshop" label="<![CDATA[!!&quot;Kongara Camera&quot; Tangled Views Workshop]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gallerytourquotgravicellsgravityandresistancequot" label="<![CDATA[!!Gallery Tour - &quot;gravicells - gravity and resistance&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gallerytourseikomikamiquotdesireofcodesquot" label="<![CDATA[!!Gallery Tour - Seiko Mikami &quot;Desire of Codes&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="seikomikaminewinstallationquotdesireofcodesquot" label="<![CDATA[!!Seiko Mikami new installation &quot;Desire of Codes&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="takashiikegamiquotmtmmindtimemachinequot" label="<![CDATA[!!Takashi Ikegami &quot;MTM [Mind Time Machine]&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/art/">
        <![CDATA[ <br />
<b><font style="font-size: 1.25em;">From perceiving cells to the coded individual. </font></b><br />
<br />
We are pleased to announce the opening of the "Desire of Codes" exhibition introducing a brand new installation piece by Seiko Mikami at YCAM. Mikami chose "information society and the human body" as the central theme of her artistic endeavors since the 1980s, and stepped into the spotlight of the international art scene after introducing computing technologies to her critical and provocative examinations of technology and art in the '90s.<br />
Next to the presentation of a new co-production by Seiko Mikami and YCAM that forms the centerpiece of this exhibition, the "surveillance society and human desires" themed event encompasses also a display of Takashi Ikegami's new installation incorporating aspects of brain science and complex system, as well as a revised version of "gravicells--gravity and resistance", a work on which Mikami collaborated with Sota Ichikawa. <br />
<br />
<b>Exhibition website: <a href="http://doc.ycam.jp">http://doc.ycam.jp</a>/</b><br />
<br />
- Exhibited work<br />
Seiko Mikami "Desire of Codes"<font style="font-size: 0.8em;"> (new work / commissioned by YCAM)</font><br />
- Related works<br />
Takashi Ikegami "MTM [Mind Time Machine] "<font style="font-size: 0.8em;"> (new work / commissioned by YCAM)</font><br />
Seiko Mikami + Sota Ichikawa "gravicells - gravity and resistance"<font style="font-size: 0.8em;">(revised version / commissioned by YCAM)</font><br />
<br />
<br />
Seiko Mikami + Sota Ichikawa "gravicells - gravity and resistance" was produced and subsequently unveiled at YCAM in May 2004, from where it embarked on a journey around the world. Celebrated exhibitions at twelve different locations in eight countries, including Tokyo, Berlin and Torino, solidified the piece's reputation as one representative work of media art. This work provides a space with hypothetical dynamics having the opposing forces of gravity and resistance, through special devices and sensors. Walking freely in the site, audiences are able to feel gravity that they are seldom aware of, resistance to it, and the effects caused by other participants. All movements and changes made by participating audiences are transformed into the movements of sound and geometrical images through special sensors,.whole space develops or changes in this interactive installation.<br />
<br />]]>
        <![CDATA[<br /><br />
<hr>
<br />
<b>Seiko Mikami + Sota Ichikawa<br />
"gravicells - gravity and resistance"</b><br />
<font style="font-size: 0.8em;">(revised version / commissioned by YCAM)</font><br />
<br />
<img src="http://www.ycam.jp/art/photo/gravicells_revisedver_03w.jpg" /><br />
<br />
<b>World premiere of the revised version<br />
Significant modifications made to enhance the dynamic expression of spatial distortion<br /></b>
<br />
The new version of "gravicells" modified and made even more dynamic by the artists with
technical support from the YCAM InterLab team. In addition to visuals projected onto the
floor, the revised version introduces projections onto four screens that enclose the space. The interlinked visual transformations now take place on a total of five surfaces, resulting in a significantly improved three-dimensional perception from various angles of the spatial
deformation caused by the audience's movements and the effect of gravity.<br />
<br />
<b>detail of the work: <a href="http://doc.ycam.jp/relatedworks/index_en.html/">http://doc.ycam.jp/relatedworks/index_en.html/</a></b><br />
<br />
<u><font style="font-size: 0.8em;">about this work</b></u><br />
The spatial expression of "gravicells" is rendered consistently by the real time calculation of the dynamics. The on-going dynamic movements are composed of the counter powers around gravity. Gravity is not materialized without the reaction force. In this artwork, it is possible for us to develop a new human sense through feeling gravity differently than usual and having new perception of body. The work provides a space with hypothetical dynamics having the opposing forces of gravity and resistance, through special devices and sensors. <br />
Walking freely in the site, audiences are able to feel gravity that they are seldom aware of, resistance to it, and the effects caused by other participants. All movements and changes made by participating visitors are transformed into the movements of sound and geometrical images through the sensors, so that the whole space develops or changes in this interactive installation. Stand or move around on this unstable flat floor (6m x 6m), and audience are participating in the installation. Each participant becomes "an observation point," and another participant joins to make "plural moving observation points." The number of participants at a time is not limited. On the floor are placed 225 units of 40cm x 40cm cell-like grids, in which specially developed sensors are fixed to detect instantly and continuously the changing position, weight, and speed.
Additionally, the position of the exhibition space is simultaneously measured by GPS, and with plural linked GPS satellites as part of the work and the moving direction of GPS is shown as the locus. Then the dynamics of GPS is turned into a simultaneously moving site, and thus the installation space involves the outside environment.<br />
<br />
<hr><br />
<u><strong>"gravicells - gravity and resistance" tour schedule<br /></u>
＝Premiere＝<br />
2004.5.15-6.20　Yamaguchi Center for Arts and Media [YCAM]　StudioB</strong><br />
2004.11.9 -11.21　DEAF04 (Rotterdam, Netherlands)<br />
2005.2.4-8　transmediale 2005　(Berlin, Germany)<br />
2005.2.24-3.1　Share Festival (Torino, Italy)<br />
2005.3.10-3.20　VIA 05 (Maubeuge, France)<br />
2005.3.30-4.9　EXIT 05 (Creteil, France)<br />
2005.9.1-19　Ars Electronica 2005 (Linz, Austria)<br />
2005.11.23-12.25　"Possible Futures:" NTT InterCommunication Center [ICC] (Tokyo, Japan)<br />
2006.9.20-10.29　O.O.H 06 festival, Centro de Cultura Antiguo Instituto (Gijon, Spain)<br />
2007.2.22-3.7　Mois Multi, salle Multi et le Studio d'essai de la Cooperative Meduse (Montreal, Canada)<br />
2007.4.27-6.27　el medio es la comunicación ElTanque, Espacio Cultural El TAnque (Canaryls lands, Spain)<br />
2008.4.19-2009.2.28　"Open Space 2008" NTT InterCommunication Center [ICC]
(Tokyo, Japan)<br />
<strong>＝This exhibition＝<br />
2010.1.24-5.9　Yamaguchi Center for Arts and Media [YCAM]　StudioB</font></strong><br />
<br />
<hr><br />
<br />
<font style="font-size: 0.8em;">Organized by Yamaguchi City Foundation for Cultural Promotion<br />
In association with Yamaguchi City, Yamaguchi City Board of Education<br />
Grants from THE ASAHI SHIMBUN FOUNDATION<br />
Corporate sponsors: AD Science Co., Microvision, Inc.<br />
Cooperation: Tama Art University Media Art Lab.; The University of Tokyo, Graduate School of Arts and Sciences Department of General Systems Studies Ikegami lab; ATAK; DGN co., ltd.; Perfektron LLC.<br />
Co-developed with YCAM InterLab<br />
Produced by Yamaguchi Center for Arts and Media [YCAM]<br />
Design: METAPHOR<br />
Curator: Kazunao Abe (YCAM)<br />
</font>]]>
    </content>
</entry>



<entry>
    <title>&quot;Aki Kaurismäki Retrospective&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/cinema/2012/09/aki-kaurismaki-retrospective.html" />
    <id>tag:www.ycam.jp,2012:/en/cinema//8.3161</id>

    <published>2012-09-03T06:24:52Z</published>
    <updated>2012-12-24T09:56:52Z</updated>

    <summary>12/20（Thu）13:30 Le Havre 15:30 Rikos ja ...</summary>
    <author>
        <name>YCAMブログ シネマ</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/cinema/">
        <![CDATA[12/20（Thu）<br />13:30 Le Havre <br />15:30 Rikos ja Rangaistus <br />19:00 Arie<br /><br />12/22（Sat）<br />13:30 La Vie de Bohéme<br />16:00 Le Havre <br />18:00 Juha<br /><br />12/23（Sun）<br />13:30 Rikos ja Rangaistus <br />15:30 Ariel<br />18:00 Le Havre <br /><br />12/24（Mon）<br />13:30 Le Havre <br />16:00 Juha<br />18:00 La Vie de Bohéme<br /><br /><b>Rikos ja Rangaistus&nbsp;&nbsp;&nbsp;</b> <br /><font style="font-size: 0.8em;">1983年／Finland／93min</font><br /><img alt="tsumitobatsu.jpg" src="http://www.ycam.jp/en/cinema/tsumitobatsu.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="192" width="300" /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><b>Ariel</b><br /><font style="font-size: 0.8em;">1988年／Finland／73min</font><br /><img alt="mayonakanoniji.jpg" src="http://www.ycam.jp/en/cinema/mayonakanoniji.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="192" width="300" /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><b>La Vie de Bohéme</b><br /><font style="font-size: 0.8em;">1992年／France・Italy・Sweden・Finland／103min／black&amp;white</font><br /><img alt="lavidepoem.jpg" src="http://www.ycam.jp/en/cinema/lavidepoem.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="210" width="300" /><br />&nbsp;<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><b>Juha</b><br /><font style="font-size: 0.8em;">1999年／Finland／78min／black&amp;white／silent<br /><img alt="shiroihanabira.jpg" src="http://www.ycam.jp/en/cinema/shiroihanabira.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="196" width="300" />&nbsp; &nbsp;&nbsp;&nbsp;&nbsp; <br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><b><font style="font-size: 1.25em;">Le Havre</font></b> <br />2011／Finland・Germany・France／93min<br />©Sputnik Oy photographer: Marja-Leena<br /><img alt="leavuremain.jpg" src="http://www.ycam.jp/en/cinema/leavuremain.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="199" width="300" /><br /></font> <div><font style="font-size: 0.8em;"><br /></font></div><div><font style="font-size: 0.8em;"><br /></font></div><div><font style="font-size: 0.8em;"><br /></font></div><div><font style="font-size: 0.8em;"><br /></font></div><div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>&quot;Yuki &amp; Nina&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/cinema/2012/09/yuki-nina.html" />
    <id>tag:www.ycam.jp,2012:/en/cinema//8.3160</id>

    <published>2012-09-03T06:16:51Z</published>
    <updated>2012-12-17T03:46:55Z</updated>

    <summary>YUKI＆NINA2009 ／France・Japan／93 minDirect...</summary>
    <author>
        <name>YCAMブログ シネマ</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/cinema/">
        <![CDATA[YUKI＆NINA<br />2009 ／France・Japan／93 min<br />Directed by Nobuhiro Suwa,Hippolyte Girardot<br />cast:Noë Sampy,Arielle Moutel <br /><br /><br /> ]]>
        
    </content>
</entry>

<entry>
    <title>&quot;Vidal Sassoon&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/cinema/2012/09/vidal-sassoon.html" />
    <id>tag:www.ycam.jp,2012:/en/cinema//8.3159</id>

    <published>2012-09-03T06:10:00Z</published>
    <updated>2012-12-10T07:47:46Z</updated>

    <summary>Vidal Sassoon　　　2010／USA／91min／DigitalDi...</summary>
    <author>
        <name>YCAMブログ シネマ</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/cinema/">
        <![CDATA[Vidal Sassoon　　　<br />2010／USA／91min／Digital<br />Directed by Craig Teper<br />cast:Vidal Sassoon <br /> ]]>
        
    </content>
</entry>

<entry>
    <title>&quot;Oni ni kike Miyadaiku Nishioka Joichi no yuigon&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/cinema/2012/09/oni-ni-kike-miyadaiku-nishioka.html" />
    <id>tag:www.ycam.jp,2012:/en/cinema//8.3157</id>

    <published>2012-09-03T05:56:49Z</published>
    <updated>2012-12-09T07:21:00Z</updated>

    <summary>2011／88min／Japan／DigitalDirected by Yuji...</summary>
    <author>
        <name>YCAMブログ シネマ</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/cinema/">
        <![CDATA[2011／88min／Japan／Digital<br />Directed by Yuji Yamazaki<br />Cast:Joichi NIshioka<br /><br /> ]]>
        
    </content>
</entry>

<entry>
    <title>&quot;Memories of Origin&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/cinema/2012/09/memories-of-origin.html" />
    <id>tag:www.ycam.jp,2012:/en/cinema//8.3156</id>

    <published>2012-09-03T05:47:34Z</published>
    <updated>2012-12-02T07:59:20Z</updated>

    <summary>2012／Japan／83min／DigitalDirected by Yuko...</summary>
    <author>
        <name>YCAMブログ シネマ</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/cinema/">
        <![CDATA[2012／Japan／83min／Digital<br />Directed by Yuko Nakamura<br />Music:Keiichiro Shibuya<br />Cast:Hiroshi Sugimoto,Tadao Ando &nbsp;&nbsp; <br /><br /> ]]>
        
    </content>
</entry>

<entry>
    <title>&quot;The Turin Horse&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/cinema/2012/09/the-turin-horse.html" />
    <id>tag:www.ycam.jp,2012:/en/cinema//8.3155</id>

    <published>2012-09-03T05:38:02Z</published>
    <updated>2012-12-02T07:58:06Z</updated>

    <summary>The Turin Horse2011／Hungary・France・Germa...</summary>
    <author>
        <name>YCAMブログ シネマ</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/cinema/">
        <![CDATA[The Turin Horse<br />2011／Hungary・France・Germany・Switzerland／154min<br />Directed byBéla Tarr<br />cast:János Derzsi, Erika Bók <br />&nbsp;]]>
        
    </content>
</entry>

<entry>
    <title>&quot;Deux de la Vague&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/cinema/2012/09/deux-de-la-vague.html" />
    <id>tag:www.ycam.jp,2012:/en/cinema//8.3154</id>

    <published>2012-09-03T05:10:13Z</published>
    <updated>2012-12-02T07:57:01Z</updated>

    <summary>Deux de la Vague2010／France／97min／Digita...</summary>
    <author>
        <name>YCAMブログ シネマ</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/cinema/">
        <![CDATA[Deux de la Vague<br />2010／France／97min／Digital<br />Directed by Emmanuel Laurent<br /><br /> ]]>
        
    </content>
</entry>

<entry>
    <title>Select CINE TECTONICS=18 Marguerite Duras</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/cinema/2012/09/select-cine-tectonics18.html" />
    <id>tag:www.ycam.jp,2012:/en/cinema//8.3152</id>

    <published>2012-09-03T03:40:51Z</published>
    <updated>2012-12-02T07:55:33Z</updated>

    <summary><![CDATA[11/2（Fri） &nbsp;11:00 Nathalie Granger13...]]></summary>
    <author>
        <name>YCAMブログ シネマ</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/cinema/">
        <![CDATA[11/2（Fri） &nbsp;<br />11:00 Nathalie Granger<br />13:30 India Song <br />16:00Son Nom de Venise dans Calcutta Désert<br /><br />11/3（Sat）　<br />17:30Le Camion<br /><br />11/4（Sat）　<br />13:30 Césarée／Les Mains Négatives／Aurélia Steiner (Melbourne)／　Aurélia Steiner(Vancouver)<br />16:00 Agatha et les lectures illimitées <br />&nbsp;<br />11/9 （Fri） <br />13:30 Le Camion<br />19:00 Césarée／Les Mains Négatives／Aurélia Steiner (Melbourne)／Aurélia Steine r(Vancouver)<br /><br />11/10（Sat）&nbsp; <br />13:30 Agatha et les lectures illimitées<br />16:00 India Song<br /><br />11/11（Ｓｕｎ）<br />13:30 Son Nom de Venise dans Calcutta Désert<br />16:00 Nathalie Granger<br /><br /><br /><b>Nathalie Granger<br />1972／83min／black &amp; white／16mm</b><br /><img alt="nathaliemain.jpg" src="http://www.ycam.jp/en/cinema/nathaliemain.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="197" width="300" /><br /><br /><br /><br /><b><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />India Song<br />1974／120min／35mm<br /></b><br /><img alt="indiasongmain.jpg" src="http://www.ycam.jp/en/cinema/indiasongmain.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="222" width="300" /><b><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Son Nom de Venise dans Calcutta Désert<br />1976／120min／16mm<br /></b><br /><img alt="venisemain.jpg" src="http://www.ycam.jp/en/cinema/venisemain.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="205" width="300" /><b><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Le Camion<br />1977／80min／16mm<br /></b><br /><img alt="trackmain.jpg" src="http://www.ycam.jp/en/cinema/trackmain.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="199" width="300" /><b><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Césarée　<br />1979／11min／16mm<br /></b><br /><img alt="cesaremain.jpg" src="http://www.ycam.jp/en/cinema/cesaremain.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="196" width="300" /><b><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Les Mains Négatives<br />1979／18min／16mm<br /></b><br /><img alt="negativemain.jpg" src="http://www.ycam.jp/en/cinema/negativemain.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="195" width="300" /><br /><b><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Aurélia Steiner (Melbourne)<br />1979／35min／16mm<br /></b><br /><img alt="melbournemai.jpg" src="http://www.ycam.jp/en/cinema/melbournemai.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="199" width="300" /><b><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Aurélia Steine r(Vancouver)<br />1979／48min／black &amp; white／16mm<br /></b><br /><img alt="vancouvermain.jpg" src="http://www.ycam.jp/en/cinema/vancouvermain.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="219" width="300" /><b><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Agatha et les lectures illimitées<br />1981／90min／35mm<br /></b><br /><img alt="agata.jpg" src="http://www.ycam.jp/en/cinema/agata.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="221" width="300" /><br /><div><br /></div><div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>&quot;Don Hertzfeldt 1998-2010&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/cinema/2012/09/don-hertzfeldt-1998-2010.html" />
    <id>tag:www.ycam.jp,2012:/en/cinema//8.3151</id>

    <published>2012-09-03T03:31:34Z</published>
    <updated>2012-12-02T07:54:27Z</updated>

    <summary>Don Hertzfeldt 　1998-2010／USA／74min／Digi...</summary>
    <author>
        <name>YCAMブログ シネマ</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/cinema/">
        <![CDATA[<b>Don Hertzfeldt 　1998-2010／USA／74min／Digital</b><br /><br />Wisdom Thhth（2010／3min）<br />Meaning of Life（2005／12min）<br />Rejected （2000／9min）<br />Billy's Balloon（1998／6min）<br />Evrything Will be OK（2006／14min）<br />Intermission in The Third Dimension（2003／8min）<br />I am So Proud of You（2008／22min）<br /><br /> ]]>
        
    </content>
</entry>

<entry>
    <title>&quot;La Frontière de l&apos;aube&quot;&quot;Un été brûlant&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/cinema/2012/09/la-frontiere-de-laubeun-ete-br.html" />
    <id>tag:www.ycam.jp,2012:/en/cinema//8.3150</id>

    <published>2012-09-03T02:14:17Z</published>
    <updated>2012-10-14T08:15:50Z</updated>

    <summary>10/12（Fri）13:30 La Frontière de l&apos;aube19...</summary>
    <author>
        <name>YCAMブログ シネマ</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/cinema/">
        <![CDATA[10/12（Fri）<br />13:30 La Frontière de l'aube<br />19:00 Un été brûlant <br /><br />10/13（Sat）<br />13:30 Un été brûlant<br />16:00 La Frontière de l'aube<br /><br />10/14(Sun)<br />13:30 La Frontière de l'aube<br />16:00 Un été brûlant<br /><br /><br /><b>La Frontière de l'aube</b><br /><font style="font-size: 0.8em;">2008/France/106min<br />directed by Philippe Garrel<br />Cast: Louis Garrel, Laura Smet <br />©2008 - Rectangle Productions / StudioUrania</font><br /><img alt="zanzo.jpg" src="http://www.ycam.jp/en/cinema/zanzo.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="184" width="300" /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><b>Un été brûlant</b><br /><font style="font-size: 0.8em;">2011/ France・Italy・ Switzerland/95min<br />directed by Philippe Garrel<br />Cast: Monica Bellucci,Louis Garrel,<br />©2011 - Rectangle Productions/Wild Bunch/Faro Film/Prince Film</font><br /> <div><img alt="hada.jpg" src="http://www.ycam.jp/en/cinema/hada.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="133" width="300" /></div>]]>
        
    </content>
</entry>

<entry>
    <title>&quot;Faust&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/cinema/2012/09/faust.html" />
    <id>tag:www.ycam.jp,2012:/en/cinema//8.3149</id>

    <published>2012-09-03T02:13:27Z</published>
    <updated>2012-10-07T10:36:43Z</updated>

    <summary>Faust2011／Russia／140min Directed byAleks...</summary>
    <author>
        <name>YCAMブログ シネマ</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/cinema/">
        <![CDATA[Faust<br />2011／Russia／140min <br />Directed byAleksandr Sokurov<br />Cast:Johannes Zeiler, Anton Adasinsky <br /> ]]>
        
    </content>
</entry>

<entry>
    <title>&quot;Teza&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/cinema/2012/06/teza.html" />
    <id>tag:www.ycam.jp,2012:/en/cinema//8.3104</id>

    <published>2012-06-08T07:40:20Z</published>
    <updated>2012-09-30T07:40:58Z</updated>

    <summary>Teza2008／Ethiopia,Germany,France／140min/...</summary>
    <author>
        <name>YCAMブログ シネマ</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/cinema/">
        <![CDATA[Teza<br />2008／Ethiopia,Germany,France／140min/Digital<br />Directed by Haile Gerima<br />Cast:Aaron Arefe<br />
<br /> ]]>
        <![CDATA[<br />]]>
    </content>
</entry>

<entry>
    <title>&quot;Ikiterumono ha inainoka&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/cinema/2012/06/ikiterumono-ha-inainoka.html" />
    <id>tag:www.ycam.jp,2012:/en/cinema//8.3103</id>

    <published>2012-06-08T07:33:41Z</published>
    <updated>2012-09-23T07:30:03Z</updated>

    <summary>2011／Japan／113min/DigitalDirected by Gak...</summary>
    <author>
        <name>YCAMブログ シネマ</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/cinema/">
        <![CDATA[2011／Japan／113min/Digital<br />Directed by Gakuryu Ishii<br />Cast: Shota Sometani<br /><br /> ]]>
        
    </content>
</entry>

<entry>
    <title>Bunkacho yusyueiga kanshosuishinjigyo&quot;Mikio Naruse&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/cinema/2012/06/bunkacho-yusyueiga-kanshosuish.html" />
    <id>tag:www.ycam.jp,2012:/en/cinema//8.3102</id>

    <published>2012-06-08T07:12:13Z</published>
    <updated>2012-09-17T09:06:12Z</updated>

    <summary> 9/14(Fri)13:30 Meshi  19:00 Okasan  9/1...</summary>
    <author>
        <name>YCAMブログ シネマ</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/cinema/">
        <![CDATA[

<p class="MsoNormal"><span style="font-size:9.0pt;font-family:Osaka" lang="EN-US">9/14</span><span style="font-size: 9pt; font-family: Osaka;" lang="EN-US"><span lang="EN-US">(</span>Fri<span style="">)</span><br /></span></p><p class="MsoNormal"><span style="font-size:9.0pt;font-family:Osaka" lang="EN-US">13:30 </span><span style="font-size:9.0pt;
font-family:Osaka">Meshi<span lang="EN-US"> </span></span></p>

<p class="MsoNormal"><span style="font-size:9.0pt;font-family:Osaka" lang="EN-US"><span style="mso-spacerun:yes"></span>19:00 </span><span style="font-size:9.0pt;
font-family:Osaka">Okasan<span lang="EN-US"><span style="mso-tab-count:1"> </span></span></span></p>

<p class="MsoDate"><span style="font-size: 9pt; font-family: Osaka;" lang="EN-US"><br /></span></p><p class="MsoDate"><span style="font-size:9.0pt;font-family:Osaka" lang="EN-US">9/15</span><span style="font-size:9.0pt;font-family:Osaka">（Sat）<span lang="EN-US"></span></span></p>

<p class="MsoNormal"><span style="font-size:9.0pt;font-family:Osaka" lang="EN-US"><span style="mso-spacerun:yes"></span></span><span style="font-size:9.0pt;
font-family:Osaka"><span lang="EN-US">13:30 </span>Ukigumo<span lang="EN-US"></span></span></p>

<p class="MsoNormal"><span style="font-size:9.0pt;font-family:Osaka" lang="EN-US"><span style="mso-spacerun:yes"></span></span><span style="font-size:9.0pt;
font-family:Osaka"><span lang="EN-US">16:00 </span>Midaregumo<span lang="EN-US"></span></span></p>

<p class="MsoDate"><span style="font-size: 9pt; font-family: Osaka;" lang="EN-US"><br /></span></p>

<p class="MsoNormal"><span style="font-size:9.0pt;font-family:Osaka" lang="EN-US">9/16</span><span style="font-size: 9pt; font-family: Osaka;" lang="EN-US">（Sun）<span style=""></span></span></p><p class="MsoNormal"><span style="font-size:9.0pt;font-family:Osaka" lang="EN-US"><span style="mso-spacerun:yes"></span></span><span style="font-size:9.0pt;
font-family:Osaka"><span lang="EN-US">13:30 </span>Okasan<span lang="EN-US"></span></span></p>

<p class="MsoNormal"><span style="font-size:9.0pt;font-family:Osaka" lang="EN-US"><span style="mso-spacerun:yes"></span>16:00 </span><span style="font-size:9.0pt;
font-family:Osaka">Ukigumo<span lang="EN-US"></span></span></p>

<p class="MsoDate"><span style="font-size: 9pt; font-family: Osaka;" lang="EN-US"><br /></span></p><p class="MsoDate"><span style="font-size:9.0pt;font-family:Osaka" lang="EN-US">9/17</span><span style="font-size:9.0pt;font-family:Osaka">（Mon）<span lang="EN-US"></span></span></p>

<p class="MsoDate"><span style="font-size:9.0pt;font-family:Osaka" lang="EN-US"><span style="mso-spacerun:yes"></span>13:30 </span><span style="font-size:9.0pt;
font-family:Osaka">Midaregumo<span lang="EN-US"><span style="mso-spacerun:yes"> &nbsp;
</span></span></span></p>

<p class="MsoDate"><span style="font-size:9.0pt;font-family:Osaka" lang="EN-US"><span style="mso-spacerun:yes"></span>16:00 </span><span style="font-size:9.0pt;
font-family:Osaka">Meshi<span lang="EN-US"></span></span></p>





<br /> ]]>
        <![CDATA[<b>Meshi<br />1951／Japan／97min／Toho<br />Directed by Mikio Naruse<br />Cast: Ken Uehara,Setsuko Hara</b><br /><form class="mt-enclosure mt-enclosure-image" style="display: inline;" contenteditable="false"><img alt="meshi.jpg" src="http://www.ycam.jp/cinema/meshi.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="424" width="300" /></form><br /><br /><b><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><font style="font-size: 1.25em;">Okasan</font><br />1952／Japan／98min／ShinToho<br />Directed by Mikio Naruse<br />Cast:Kinuyo Tanaka,Kyoko Kagawa,Eiji Okada</b><br /><form class="mt-enclosure mt-enclosure-image" style="display: inline;" contenteditable="false"><img alt="okaasan.jpg" src="http://www.ycam.jp/cinema/okaasan.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="429" width="300" /></form><br />　<br /><b><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Ukigumo<br />1955／Japan／123min／Toho<br />Directed by Mikio Naruse<br />Cast:Hideko Takamine,Masayuki Mori,Mariko Okada</b><br /><form class="mt-enclosure mt-enclosure-image" style="display: inline;" contenteditable="false"><img alt="ukigumo.jpg" src="http://www.ycam.jp/cinema/ukigumo.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="207" width="300" /></form><br /><br /><br /><b><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Midaregumo<br />1967／Japan／108min／Toho<br />Directed by Mikio Naruse<br />Cast:Yuzo Kayama,Yoko Tsukasa,MitsukoMori</b><br /><form class="mt-enclosure mt-enclosure-image" style="display: inline;" contenteditable="false"><img alt="midaregumo.jpg" src="http://www.ycam.jp/cinema/midaregumo.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="407" width="300" /></form>　<br />&nbsp;<br /><br /><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>]]>
    </content>
</entry>

<entry>
    <title>Monte Hellman&quot;Two-Line Blacktop&quot;&quot;Road to Nowhere&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/cinema/2012/06/monte-hellmantwo-line-blacktop.html" />
    <id>tag:www.ycam.jp,2012:/en/cinema//8.3101</id>

    <published>2012-06-08T06:07:29Z</published>
    <updated>2012-09-02T08:24:39Z</updated>

    <summary>8/31（Fri）13:30 Road to Nowhere19:00 Two-...</summary>
    <author>
        <name>YCAMブログ シネマ</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/cinema/">
        <![CDATA[8/31（Fri）<br />13:30 <b>Road to Nowhere</b><br />19:00 <b>Two-Line Blacktop</b><br /><br />9/1（Sat）<br />13:30&nbsp; <b>Two-Line Blacktop</b><br />16:00&nbsp; <b>Road to Nowhere</b><br />　<br />9/2（Sun）&nbsp; <br />13:30&nbsp; <b>Road to Nowhere</b><br />16:30&nbsp; <b>Two-Line Blacktop</b> ]]>
        <![CDATA[<br /><br /><b>Two-Line Blacktop<br />1971／USA／102min<br />Directed by Monte Hellman&nbsp;
<br />
Cast:James Taylor,Warren Oates</b><br /><br /><font style="font-size: 0.8em;">©1971 Universal Pictures and Michael Laughlin Enterprises Inc. All Rights Reserved.<br /></font><form class="mt-enclosure mt-enclosure-image" style="display: inline;" contenteditable="false"><img alt="danzetsu.jpg" src="http://www.ycam.jp/cinema/danzetsu.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="377" width="300" /></form><br /><br /><br /><b><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Road to Nowhere<br />2010／USA／121min／Digital<br /></b><b>Directed by Monte Hellman<br />Cast:Tygh Runyan&nbsp;
</b><b></b><br /><font style="font-size: 0.8em;">©2011 ROAD TO NOWHERE LLC&nbsp;</font><br /><form class="mt-enclosure mt-enclosure-image" style="display: inline;" contenteditable="false"><img alt="hatenaki1.jpg" src="http://www.ycam.jp/cinema/hatenaki1.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="169" width="300" /></form><br /><div><br /></div>]]>
    </content>
</entry>



<entry>
    <title>YCAM InterLab Camp vol.2 &quot;TECHTILE&quot; Concentrated Lecture Session</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/education/2013/03/ycam-interlab-camp-vol2-techtile.html" />
    <id>tag:www.ycam.jp,2013:/en/education//13.3059</id>

    <published>2013-03-09T01:00:00Z</published>
    <updated>2013-03-26T18:05:34Z</updated>

    <summary> This program is related to the &quot;YCAM In...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/education/">
        <![CDATA[ <p>This program is related to the "YCAM InterLab Camp" research &amp; development project aimed to develop tools for simple creative work utilizing tactile sensation on the central theme of "techtile", a term coined to connect cutting-edge technology and tactile expression.<br />
In presentations and discussions, invited experts from fields ranging from art, design and body expression, to engineering and science, convey a deeper understanding of the "techtile" concept. Furthermore, a tool that has been developed over a period of two years is distributed to participants who put it into practical use in workshops.</p>]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[YCAM InterLab + Yoko Ando Joint Research and Development Project  &quot;Reactor for Awareness in Motion&quot; Open Studio]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/education/2012/09/ram-open-studio.html" />
    <id>tag:www.ycam.jp,2012:/en/education//13.3056</id>

    <published>2012-09-01T01:00:00Z</published>
    <updated>2012-10-22T04:59:10Z</updated>

    <summary>This event is held in conjunction with t...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="ycaminterlabyokoandojointresearchanddevelopmentprojectquotreactorforawarenessinmotionquotpresentation" label="<![CDATA[!!YCAM InterLab + Yoko Ando Joint Research and Development Project &quot;Reactor for Awareness in Motion&quot; Presentation]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ycaminterlabyokoandojointresearchanddevelopmentprojectquotreactorforawarenessinmotionquotworkshop" label="<![CDATA[!!YCAM InterLab + Yoko Ando Joint Research and Development Project &quot;Reactor for Awareness in Motion&quot; Workshop]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/education/">
        <![CDATA[<p>This event is held in conjunction with the "Reactor for Awareness in Motion" research &amp; development project launched in 2011 by YCAM together with dancer Yoko Ando, a central member of The Forsythe Company.<br />
Guided by Ando and members of the YCAM InterLab, visitors have the opportunity to test a system that is currently under development, and thereby make new discoveries related to dance and the human body.</p>]]>
        <![CDATA[<br />
<br />
<p style="font-size:0.8em">Organized by: Yamaguchi City Foundation for Cultural Promotion<br />
In association with: Yamaguchi City, Yamaguchi City Board of Education<br />
Supported by the Agency for Cultural Affairs, Government of Japan in Fiscal 2012<br />
Special support: Goethe Institut<br />
Equipment cooperation: NAC Image Technology<br />
Produced by: Yamaguchi Center for Arts and Media [YCAM]</p>]]>
    </content>
</entry>

<entry>
    <title>tecpot - media factory for learning and creation</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/education/2012/07/tecpot2012.html" />
    <id>tag:www.ycam.jp,2012:/en/education//13.3055</id>

    <published>2012-07-14T01:00:00Z</published>
    <updated>2012-12-05T02:55:24Z</updated>

    <summary> Programming, film and music production ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/education/">
        <![CDATA[ <p><strong>Programming, film and music production<br />
A space for encountering media technology and creating media art</strong></p>
<br />
<p id="">This special kind of space was designed for the creation of artworks utilizing different types of media technology. In addition to this, various courses and educational materials related to programming, film production, design, music/sound, etc. are available, which visitors can make use of according to their own individual purposes. The space aims to function as a new regional communication hub by introducing visitors to media art, and facilitating new discoveries and creative ideas.</p><div id="fastlookup_top"></div>]]>
        
    </content>
</entry>

<entry>
    <title>Kid&apos;s meeting for better playground</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/education/2012/06/meeting.html" />
    <id>tag:www.ycam.jp,2012:/en/education//13.3053</id>

    <published>2012-06-10T01:00:00Z</published>
    <updated>2012-07-23T10:38:31Z</updated>

    <summary>Another program related to &quot;glitchGROUND...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="glitchgroundamediaartcentersproposalforneweducationalenvironments" label="!!glitchGROUND - A media art center&apos;s proposal for new educational environments" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/education/">
        <![CDATA[<p>Another program related to "glitchGROUND - A media art center's proposal for new educational environments", this meeting for children to think about playground environments takes place at the "Korogaru Koen Park" as well. Based on children's requests proposed in this meeting, the park will be updated with new or revised features during the event period.</p> ]]>
        
    </content>
</entry>

<entry>
    <title>YCAM Gallery Tour (glitchGROUND)</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/education/2012/05/ycam-gallery-tour.html" />
    <id>tag:www.ycam.jp,2012:/en/education//13.3054</id>

    <published>2012-05-20T01:00:00Z</published>
    <updated>2012-10-22T04:59:49Z</updated>

    <summary>Participants in this regularly offered g...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="glitchgroundamediaartcentersproposalforneweducationalenvironments" label="!!glitchGROUND - A media art center&apos;s proposal for new educational environments" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/education/">
        <![CDATA[<p>Participants in this regularly offered gallery tour enjoy exhibitions together with a specialized member of the YCAM staff, and thereby discover key points to focus on. The guide's explanations, together with discussions among participants, enhance the experience of the works on display.<br />
By watching, listening and asking questions, participants can make multiple discoveries in a single exhibition.</p>]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[Opening Lecture & Demonstration &quot;Media education environments of tomorrow&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/education/2012/05/opening-lecture-and-demonstration.html" />
    <id>tag:www.ycam.jp,2012:/en/education//13.3052</id>

    <published>2012-05-19T01:00:00Z</published>
    <updated>2012-05-21T02:25:11Z</updated>

    <summary>Held at the &quot;Korogaru Koen Park&quot; as part...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="glitchgroundamediaartcentersproposalforneweducationalenvironments" label="!!glitchGROUND - A media art center&apos;s proposal for new educational environments" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/education/">
        <![CDATA[<p>Held at the "Korogaru Koen Park" as part of the "glitchGROUND - A media art center's proposal for new educational environments" exhibition, this event includes a simple demonstration of the park's features. In addition, a special guest will share the newest ideas from a global perspective on environments for "learning" that keep changing with social environments.</p>]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[Symposium &quot;How to design a workshop&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/education/2012/05/symposium.html" />
    <id>tag:www.ycam.jp,2012:/en/education//13.3051</id>

    <published>2012-05-04T01:00:00Z</published>
    <updated>2012-05-13T10:02:35Z</updated>

    <summary>In this special event related to the &quot;gl...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="glitchgroundamediaartcentersproposalforneweducationalenvironments" label="!!glitchGROUND - A media art center&apos;s proposal for new educational environments" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/education/">
        <![CDATA[<p>In this special event related to the "glitchGROUND - A media art center's proposal for new educational environments" exhibition, guests involved with the setup of various workshops and experience learning corners discuss approaches to on-the-spot problem solving on the basis of concrete examples.</p> ]]>
        
    </content>
</entry>

<entry>
    <title>YCAM WORKSHOPS</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/education/2012/04/ycam-workshops.html" />
    <id>tag:www.ycam.jp,2012:/en/education//13.3050</id>

    <published>2012-04-12T07:30:07Z</published>
    <updated>2012-05-13T10:02:41Z</updated>

    <summary> Held prior to the main exhibition are a...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="glitchgroundamediaartcentersproposalforneweducationalenvironments" label="!!glitchGROUND - A media art center&apos;s proposal for new educational environments" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/education/">
        <![CDATA[ <p>Held prior to the main exhibition are a total of eight workshops selected from the workshop programs developed and conducted at YCAM in the past.</p>]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[&lsquo;Reacting Space for Dividual Behavior&lsquo; Workshop]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/education/2011/06/reacting-space-for-dividual-be.html" />
    <id>tag:www.ycam.jp,2011:/en/education//13.2837</id>

    <published>2011-06-02T06:34:02Z</published>
    <updated>2011-08-21T14:01:59Z</updated>

    <summary>Yoko Ando hosts a body expression-themed...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="gallerytournoritoshihirakawaquotbeyondthesunbeamthroughtreesquotyokoandoquotreactingspacefordividualbehaviorquot" label="<![CDATA[!!Gallery tour (Noritoshi Hirakawa &quot;Beyond the sunbeam through trees&quot; / Yoko Ando &quot;Reacting Space for Dividual Behavior&quot;)]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="yokoandonewinstallationbrquotreactingspacefordividualbehaviorquot" label="<![CDATA[!!Yoko Ando new installation<br />&quot;Reacting Space for Dividual Behavior&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/education/">
        <![CDATA[Yoko Ando hosts a body expression-themed workshop based around her new installation. Guest instructors will be dancers Amancio Gonzalez and Yasutake Shimaji, both members of The Forsythe Company. <br />
<br />
Target group: High school-age students and older, experienced in dance, theatre, music, martial arts or other form of physical expression/activity (any genre).<br />
* English-speaking participants are welcome to the workshop.<br />
   e-mail workshop11@ycam.jp for more information.<br />
]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[meet the artist 2011 &quot;Library Radio&quot;Artist lecture &quot;Library Radio Manifesto&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/education/2011/04/meet-the-artist-2011-library-r-1.html" />
    <id>tag:www.ycam.jp,2011:/en/education//13.2781</id>

    <published>2011-04-22T06:41:18Z</published>
    <updated>2011-05-06T03:56:51Z</updated>

    <summary>The &quot;library&quot; as a semipublic space: Lau...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="meettheartist2011quotlibraryradioquot" label="<![CDATA[meet the artist 2011 &quot;Library Radio&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="meettheartist2011quotlibraryradioquotbrfinalpresentation" label="<![CDATA[meet the artist 2011 &quot;Library Radio&quot;<br />Final presentation]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/education/">
        <![CDATA[<b>The "library" as a semipublic space: Launch of a mini radio station<br />
Volume 6 of this series workshop for grown-ups is all about "radio"</b><br />
<br />
In the "meet the artist" workshop series, so-called "collaborators", which are consisted of citizens, work with artists on one specific creative project over the period of one year. Through their long-term collaboration, participants and artists share the process of creative production, and elaborate profound concepts together through studying about related ideas and backgrounds in their activities.<br />
The theme for this sixth installment is "radio". While referring to the function of a library as a public information and contents provider, the project will encourage participants to discuss the diversity of information including visual and acoustic ones. Focusing on the library as a semipublic space, together with audio books and other electronic media, we are planning to set up a mini radio station at YCAM. In the course of the year, attendants will examine the future of information services in public spaces through a range of activities, including different kind of studies, workshops, lectures, the publication of electronic books, etc.<br />
Lecturer Eishi Katsura will give a talk about the purpose and upcoming activities of the "meet the artist" workshop with the aim to drum up participants for the 2011 edition. Katsura will also give a presentation of his previous activities including consultation services for public institutions and archiving work among others. <br />
<br />
Please Send email entitled "meet the artist" with<br />
ⅰ) Name in full<br />
ⅱ) Address; with telephone number, e-mail address.<br />
ⅲ) Date of Birth Year Month. Day.<br />
<br />
7-7 Nakazono-cho, Yamaguchi, 753-0075 JAPAN<br />
YCAM (Yamaguchi Center for Arts and Media) Attn: educational staff
FAX: +81-83-901-2216<br />
e-mail: workshop11@ycam.jp<br />]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[&quot;Double Film Screening vol. 1 - Short animated film&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/education/2011/04/double-film-screening-vol-1--.html" />
    <id>tag:www.ycam.jp,2011:/en/education//13.2780</id>

    <published>2011-04-22T06:14:36Z</published>
    <updated>2011-05-27T11:09:51Z</updated>

    <summary>Watch it, talk it, and watch it again De...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="quotdoublefilmscreeningvol3quot" label="<![CDATA[!!&quot;Double Film Screening vol. 3&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="quotdoublefilmscreeningvol2shortfilmquot" label="<![CDATA[&quot;Double Film Screening vol. 2 - Short film&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/education/">
        <![CDATA[<b>Watch it, talk it, and watch it again<br />
Developing an appreciative and critical eye in a workshop-style film screening</b><br />
<br />
This workshop-style film screening for kids and adults aims to communicate the pleasure of watching movies, and at once help participants develop a critical eye. In the procedure of watching a movie, talking about it, and then watching the same movie once again, participants share their impressions and experiences of the movie, which bring them the additional discoveries and pleasures sharing the intermediate commentaries among them.  By repeatedly watching movies, participants will learn how to appreciate them properly, and at the same time, develop a critical eye by formulating and exchanging their thoughts.<br />
<br />
<b>vol. 1 - Short animated film</b><br />
Works shown at this event are made by Jiri Barta (Czech Republic), Priit Parn (Estonia) and Ryan Larkin (Canada). They are the representative artists who are from countries with long traditions in the realm of animated film. Another part of the program is dedicated to Noburo Ofuji, who laid his films with the groundwork for the anime culture that eventually brought in a great reputation to Japan in the international animation scene. Animated films that one rarely gets to watch on TV will be shown twice, with short explanatory introductions sandwiched in between. <br />
<br />
<b>Screened works: </b><br />
"Projekt" Director: Jiri Barta (1981 / Czechoslovakia)<br />
"Street Musique" Director: Ryan Larkin (1972 / Canada)<br />
"Time Out" Director: Priit Pärn (1984 / Estonia)<br />
"Yureisen (The Ghost Ship)" Director: Noburo Ofuji (1956 / Japan)<br />
"Kuronyago (Black Cat's Meow)" Director: Noburo Ofuji (1929 / Japan)<br />
<br />
Please Send email entitled "Double Film Screening vol. 1" with<br />
ⅰ) Name in full<br />
ⅱ) Address; with telephone number, e-mail address.<br />
ⅲ) Date of Birth Year Month. Day.<br />
<br />
7-7 Nakazono-cho, Yamaguchi, 753-0075 JAPAN<br />
YCAM (Yamaguchi Center for Arts and Media) Attn: educational staff<br />
FAX: +81-83-901-2216<br />
e-mail: workshop11@ycam.jp<br />]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[Gallery tour (Noritoshi Hirakawa &quot;Beyond the sunbeam through trees&quot; / Yoko Ando &quot;Reacting Space for Dividual Behavior&quot;)]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/education/2011/04/beyond-the-sunbeam-through-tre.html" />
    <id>tag:www.ycam.jp,2011:/en/education//13.2792</id>

    <published>2011-04-22T05:52:00Z</published>
    <updated>2011-08-21T14:02:08Z</updated>

    <summary>Through the tours, participants will dis...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="lsquoreactingspacefordividualbehaviorlsquoworkshop" label="<![CDATA[!!&lsquo;Reacting Space for Dividual Behavior&lsquo; Workshop]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="noritoshihirakawanewinstallationbrquotbeyondthesunbeamthroughtreesquot" label="<![CDATA[!!Noritoshi Hirakawa new installation<br />&quot;Beyond the sunbeam through trees&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="yokoandodancedemonstration" label="!!Yoko Ando Dance demonstration" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="yokoandonewinstallationbrquotreactingspacefordividualbehaviorquot" label="<![CDATA[!!Yoko Ando new installation<br />&quot;Reacting Space for Dividual Behavior&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/education/">
        <![CDATA[Through the tours, participants will discover together with YCAM educational staff, most attractive features of the exhibition.<br />
<br />
June 4 (Sat), 5 (Sun), 11 (Sat), 12 (Sun), 25 (Sat), 26 (Sun)<br />
July 2 (Sat), 3 (Sun), 9 (Sat), 10 (Sun), 16 (Sat), 17 (Sun), 30 (Sat), 31 (Sun)<br />
August 6 (Sat), 20 (Sat)<br />
14:00-15:00   Admission free<br />
<br />
* Application: Please visit YCAM 1F Ticket Information prior to each tour.<br />
* Held concurrently with the exhibition of Yoko Ando's new installation.<br />
* English-speaking participants are welcome to the Gallery Tour.<br />
   e-mail workshop11@ycam.jp for more information.<br />]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[&quot;tecpot - media factory for learning and creation&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/education/2011/04/tecpot---media-factory-for-lea.html" />
    <id>tag:www.ycam.jp,2011:/en/education//13.2779</id>

    <published>2011-04-22T05:51:30Z</published>
    <updated>2011-09-25T13:02:59Z</updated>

    <summary>Programming, filmmaking, electronic engi...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/education/">
        <![CDATA[<b>Programming, filmmaking, electronic engineering, sound creation, software education:<br />
A special place for encountering and experiencing media technology opens</b><br />
<br />
YCAM will set up a special environment for casual ventures into the exciting world of media art through various studies and exercise on practical themes with media technology.<br />
At "tecpot", visitors can attend courses according to their individual interests and purposes, guided by resident instructors specializing in programming, imagery and sound production, electronic engineering, software education, etc. In addition, participants can use computers and other permanent equipment for their own creative projects.<br />
<br />
<b>Date:  [16 times during the event period]</b><br />
July 2, 3, 9, 10, 16, 17, 18, 30, 31<br />
November 3, 4, 10, 11, 19, 24, 25<br />
<br />
<b>*English-speaking participants are welcome to the workshop.<br />
e-mail workshop11@ycam.jp for more information.</b>
<br />
Please Send email entitled &quot;tecpot&quot; with<br />
ⅰ) Expected date of workshop<br />
ⅱ) Name in full<br />
ⅲ) Address; with telephone number, e-mail address.<br />
ⅳ) Date of Birth Year Month. Day.<br />
<br />
7-7 Nakazono-cho, Yamaguchi, 753-0075 JAPAN<br />
YCAM (Yamaguchi Center for Arts and Media) Attn: educational staff
FAX: +81-83-901-2216<br />
e-mail: workshop11@ycam.jp<br />
]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[&quot;Double Film Screening vol. 2 - Short film&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/education/2011/04/double-film-screening-vol-2--.html" />
    <id>tag:www.ycam.jp,2011:/en/education//13.2778</id>

    <published>2011-04-22T05:45:25Z</published>
    <updated>2011-08-05T12:24:41Z</updated>

    <summary>Watch it, talk it, and watch it again De...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="quotdoublefilmscreeningvol3quot" label="<![CDATA[!!&quot;Double Film Screening vol. 3&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="quotdoublefilmscreeningvol1shortanimatedfilmquot" label="<![CDATA[&quot;Double Film Screening vol. 1 - Short animated film&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/education/">
        <![CDATA[<b>Watch it, talk it, and watch it again<br />
Developing an appreciative and critical eye in a workshop-style film screening</b><br />
<br />
This workshop-style film screening for kids and adults aims to communicate the pleasure of watching movies, and at once help participants develop a critical eye. In the procedure of watching a movie, talking about it, and then watching the same movie once again, participants share their impressions and experiences of the movie, which bring them the additional discoveries and pleasures sharing the intermediate commentaries among them.  By repeatedly watching movies, participants will learn how to appreciate them properly, and at the same time, develop a critical eye by formulating and exchanging their thoughts.<br />
<br />
<b>vol. 2 - Short film</b><br />
The program includes an international selection of distinguished short films. Visitors can discover their own individual ways of appreciating movies while relishing the world of short film, a genre that seems to be containing the essence of cinema.<br />
[Details will be announced in late April]<br />
<br />
Please Send email entitled "Double Film Screening vol. 2" with<br />
ⅰ) Name in full<br />
ⅱ) Address; with telephone number, e-mail address.<br />
ⅲ) Date of Birth Year Month. Day.<br />
<br />
7-7 Nakazono-cho, Yamaguchi, 753-0075 JAPAN<br />
YCAM (Yamaguchi Center for Arts and Media) Attn: educational staff<br />
FAX: +81-83-901-2216<br />
e-mail: workshop11@ycam.jp<br />]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[&quot;YCAM Summer Exploration Tour&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/education/2011/04/ycam-summer-exploration-tour-1.html" />
    <id>tag:www.ycam.jp,2011:/en/education//13.2777</id>

    <published>2011-04-22T05:40:00Z</published>
    <updated>2011-08-14T12:26:32Z</updated>

    <summary> Discover YCAM, the country&apos;s premier la...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/education/">
        <![CDATA[ <b>Discover YCAM, the country's premier launching pad for information art<br />
A fascinating on-the-spot experience of media art previewing the future of the art center</b><br />
<br />
This special summer holiday event takes visitors behind the scenes of YCAM's facilities, introducing the backstage work of staff members in charge of exhibitions and stage performances in addition to current exhibitions. The idea behind this tour is to introduce the aims, functions and features of YCAM, while cultivating future audiences by guiding participants around the facility and offer a chance to take a peek at what normally happens behind closed doors at an art center.<br />
<br />
<b>*English-speaking participants are welcome to the workshop.<br />
e-mail workshop11@ycam.jp for more information.</b>
<br />
Please Send email entitled &quot;YCAM Summer Exploration Tour&quot; with<br />
ⅰ) Expected date of workshop
ⅱ) Name in full<br />
ⅲ) Address; with telephone number, e-mail address.<br />
ⅳ) Date of Birth Year Month. Day.<br />
<br />
7-7 Nakazono-cho, Yamaguchi, 753-0075 JAPAN<br />
YCAM (Yamaguchi Center for Arts and Media) Attn: educational staff
FAX: +81-83-901-2216<br />
e-mail: workshop11@ycam.jp<br />
]]>
        
    </content>
</entry>



<entry>
    <title>sound tectonics #12</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/live/2013/01/sound-tectonics-12.html" />
    <id>tag:www.ycam.jp,2013:/en/live//12.3049</id>

    <published>2013-01-27T01:00:00Z</published>
    <updated>2013-01-26T12:21:45Z</updated>

    <summary>Live concert in conjunction with the exh...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="scopicmeasure15brrhizomatiksnewinstallation" label="<![CDATA[!!scopic measure #15<br/>Rhizomatiks New Installation]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/live/">
        <![CDATA[<p>Live concert in conjunction with the exhibition of Rhizomatiks's new installation.</p>]]>
        
    </content>
</entry>

<entry>
    <title>sound tectonics #11 &quot;Akio Suzuki; Studies in Sonority and Space&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/live/2012/05/sound-tectonics-11.html" />
    <id>tag:www.ycam.jp,2012:/en/live//12.3048</id>

    <published>2012-05-27T01:00:00Z</published>
    <updated>2012-05-27T08:39:19Z</updated>

    <summary> Akio Suzuki, an artist who has made his...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/live/">
        <![CDATA[ <p><strong>Akio Suzuki, an artist who has made his unique marks in the realm of sound art<br />
This live concert focuses on the conception and experience of his sonic microcosm. 
</strong></p>
<br />
<p>Based in Kyotango City, Akio Suzuki is working as a musician on an international level. With his approach to "sound" based on observations of local climates, ecosystems and other things characterizing the places where he performs, Suzuki has been breaking new ground in sound art over many years. In this concert, centering around Suzuki's own performance making full use of YCAM's advanced acoustic equipment, this concert also features performances by sound artists evala and Marihiko Hara, as well as dancer/choreographer Hiromi Miyakita.</p>]]>
        
    </content>
</entry>

<entry>
    <title>sound tectonics #9</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/live/2011/04/sound-tectonics-9.html" />
    <id>tag:www.ycam.jp,2011:/en/live//12.2794</id>

    <published>2011-04-25T02:27:37Z</published>
    <updated>2011-06-04T12:49:21Z</updated>

    <summary>In connection with the main exhibition, ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="noritoshihirakawanewinstallationbrquotbeyondthesunbeamthroughtreesquot" label="<![CDATA[!!Noritoshi Hirakawa new installation<br />&quot;Beyond the sunbeam through trees&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/live/">
        In connection with the main exhibition, YCAM will host another installment of the &quot;sound tectonics&quot; live concert series introducing works of sound art incorporating media technology, realized with the Center&apos;s own world class audiovisual technology and equipment. A solo performance by Michale Rother, who has been exerting immeasurable influence on the current electro pop scene both as a guitarist for German rock bands such as NEU! and Harmonia, and as a solo musician and composer. One of special guests will be Jim O&apos;Rourke, an internationally operating artist and part-time member of the band Sonic Youth. The other will be Y.Sunahara, a Japanese electro pop musician, composer, and producer, who released several outstanding albums including DENKI GROOVE. Look forward to a set of top quality, cutting-edge sound and music that you will only be able to experience at YCAM.
        
    </content>
</entry>

<entry>
    <title>sound tectonics #10</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/live/2011/04/sound-tectonics-10.html" />
    <id>tag:www.ycam.jp,2011:/en/live//12.2793</id>

    <published>2011-04-25T02:25:17Z</published>
    <updated>2011-09-25T13:09:07Z</updated>

    <summary>In combination with the exhibition of Ry...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="scopicmeasure13brryoichikurokawanewinstallation" label="<![CDATA[!!scopic measure #13<br /> Ryoichi Kurokawa new installation]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/live/">
        <![CDATA[In combination with the exhibition of Ryoichi Kurokawa's new work, the artist himself will give a live concert with special guests. Kurokawa skillfully incorporates in his performance synchronized and reciprocal action of digitally generated material and audiovisual field recordings. YCAM's architectural characteristics will help magnify the beauty and vigor of electronic sound, to be experienced in spatially shifting sound images and large screen projections.<br />
[Details will be available from announced in late July]]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[Demonstrative PerformanceFujiko Nakaya &#43; Shiro Takatani &quot;CLOUD FOREST&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/live/2010/04/inter-environmentopening-sound.html" />
    <id>tag:www.ycam.jp,2010:/en/live//12.2362</id>

    <published>2010-04-14T15:15:13Z</published>
    <updated>2010-08-24T13:45:13Z</updated>

    <summary>In addition to Fujiko Nakaya and Shiro T...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="fujikonakaya43shirotakatanibrnewinstallationquotcloudforestquot" label="<![CDATA[!!Fujiko Nakaya &#43; Shiro Takatani<br/>new installation &quot;CLOUD FOREST&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gallerytourbrfujikonakaya43shirotakataniquotcloudforestquot" label="<![CDATA[!!Gallery Tour<br />Fujiko Nakaya &#43; Shiro Takatani &quot;CLOUD FOREST&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/live/">
        <![CDATA[In addition to Fujiko Nakaya and Shiro Takatani, the members of Kyoto-based art/design collective softpad, who took charge of the sound design for this exhibition, participate in a special experimental live performance incorporating the fog, light and sound installations in the patios and foyer.<br /><br /><b>Demonstrative Performance<br />August 7 (sat) 19:00-20:00</b><br />Venue: Foyer, Patios &nbsp;&nbsp;   Admission free<br />Performance: Fujiko Nakaya, Shiro Takatani, softpad (Takuya Minami, Tomohiro Ueshiba, Hiroshi Toyama)]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[YCAM sound tectonics #8audio-visual concert performances &quot;raster-noton evening&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/live/2010/04/polar-ii-opening-sound-perform.html" />
    <id>tag:www.ycam.jp,2010:/en/live//12.2364</id>

    <published>2010-04-14T15:15:12Z</published>
    <updated>2010-11-14T03:30:57Z</updated>

    <summary>The ultimate electronic sound experience...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="quotpolarsupmsupmirroredquotopeningeventinternationalsymposiumquotdecennialenvironmentalobservationsinartquot" label="<![CDATA[!!&quot;polar<sup>m</sup> [mirrored]&quot; Opening Event: International symposium &quot;Decennial environmental observations in art&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="carstennicolai43markopeljhannewinstallationquotpolarsupmsupmirroredquot" label="<![CDATA[!!Carsten Nicolai &#43; Marko Peljhan new installation &quot;polar<sup>m</sup> [mirrored]&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gallerytourcarstennicolai43markopeljhanquotpolarsupmsupmirroredquot" label="<![CDATA[!!Gallery Tour - Carsten Nicolai &#43; Marko Peljhan &quot;polar<sup>m</sup> [mirrored]&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/live/">
        <![CDATA[<b>The ultimate electronic sound experience offered by a supreme team of artists in an ideal environment</b><br />
<br />
The "polar" project observing natural and informational environments, initiated by two internationally renowned artists, resurfaces after ten years in the form of the "polar<sup>m</sup>" exhibition. Via an original platform developed in order to monitor the invisible world of data, the visitor can experience polar electromagnetic force from a unique perspective on the environment. <br />
An exquisite lineup of artists from the field of electronic sound art/music will get together at YCAM to celebrate the exhibition's opening. Look forward to an overwhelming display of visuals and sound, designed with YCAM's own high-end technical equipment and setting.  <br/>
<img src="http://www.ycam.jp/live/photo/stn8_all.jpg" /><br />]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[Opening sound live &quot;fmtm&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/live/2010/04/opening-sound-live-fmtm.html" />
    <id>tag:www.ycam.jp,2010:/en/live//12.2368</id>

    <published>2010-04-10T02:28:00Z</published>
    <updated>2010-04-15T02:30:43Z</updated>

    <summary>* Please note that the exhibition of &quot;MT...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="seikomikaminewinstallationquotdesireofcodesquot" label="<![CDATA[!!Seiko Mikami new installation &quot;Desire of Codes&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="takashiikegamiquotmtmmindtimemachinequot" label="<![CDATA[!!Takashi Ikegami &quot;MTM [Mind Time Machine]&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/live/">
        * Please note that the exhibition of &quot;MTM&quot; in the Foyer will be close on the following opening events: 20th of March from 18:00 till 19:00 and 21st of March from 13:00 till 16:30. 
        
    </content>
</entry>

<entry>
    <title><![CDATA[sound tectonics #7 &quot;ATAK NIGHT 4&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/live/2009/03/sound-tectonics-7-atak-night-4.html" />
    <id>tag:www.ycam.jp,2009:/en/live//12.1192</id>

    <published>2009-03-26T11:39:32Z</published>
    <updated>2009-04-29T23:48:07Z</updated>

    <summary>Artist change &quot;ATAK NIGHT 4&quot; Due to memb...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/live/">
        <![CDATA[<b>Artist change "ATAK NIGHT 4"</b>
<br/>
Due to member Mika Vainio's sudden illness, Pan sonic, who were scheduled to appear at the "ATAK NIGHT 4" event on April 29 (Wed/holiday), were forced to cancel their Japan tour. <br/>
We apologize sincerely for the inconvenience to all those who have been looking forward to Pan sonic's performance in particular, as well as to the members of the press and other related individuals and institutions. <br/>
<br/>
As a substitute for Pan sonic, Ryoji Ikeda confirmed his appearance at the event.<br/>
<br/>
For more information on tickets and refunds, please contact the Yamaguchi City Foundation for Cultural Promotion ticket counter (at YCAM): TEL +81-83-920-6111<br/>
<br/>
We are looking forward to seeing you at YCAM.<br/>
<br />
<br />
<br />
<br />
<b>ATAK NIGHT 4 - Top sound artists touring the world<br />
A group of renowned artists stop over at YCAM to challenge the Center's top-notch sound and video facilities.<br />
</b><br />
This is the seventh installment of "sound tectonics", a series of concerts of sound art created using media technology, designed top quality of the world-class sound and video technical facilities of YCAM. Artists this time are Keiichiro Shibuya, who returns to Yamaguchi after touring Europe with the <em>ATAK Night 4</em>, as well as New York-based legendary sound artist Yasunao Tone, who makes his belated YCAM debut. Completing the lineup are Finnish duo Pan sonic, and Japanese artist Evala. Look forward to a festival of sharp-pointed audio-visual expression as it is possible only in the high-quality sound environment of YCAM. <br />
<br />
<br />]]>
        <![CDATA[<b><font style="font-size: 1.25em;">ATAK NIGHT 4</font></b><br />
<b>Four highly original sound artists come to put YCAM's high-quality acoustic facilities to a test in a sensational joint live performance.</b><br />
<br />
<img src="http://www.ycam.jp/live/photo/ataknight4_all_w.jpg" /><br />
<br />
After finishing a celebrated tour around Italy, Germany, Switzerland and France, the <em>ATAK Night 4</em> live concert lands at the Yamaguchi Center for Arts and Media [YCAM]. Four world-renowned artists gather at YCAM, a reputed stage for the production and presentation of novel forms of electronic music and outstanding sound art. <br />
The event's main attraction is the appearance of Yasunao Tone, a Japanese artist who moved to New York in the '70s, and keeps operating in the forefront of experimental music even now that he is in his 70s. Also appearing is the Berlin resident Finnish duo Pan sonic, a leading name in cutting-edge electronic music for over a decade, and ATAK members Keiichiro Shibuya and Evala, both of whom created and unveiled the sound installation piece <em>filmachine</em> at YCAM in 2006, before presenting it in Berlin two years later.<br />
<br />
YCAM has been showcasing electronic music made with computers and other devices, reproduced in the highest possible sound quality thanks to the Center's cutting-edge technology and top-notch acoustic environment. Making use of the construction's architectural characteristics, these events are realized with the help of a technical team of experts specializing in the synchronization of acoustic and optical images. Only at this YCAM date of the <em>ATAK Night 4</em> tour, the audience will be surrounded by an elliptical 8-channel setup that allows for detailed reproduction of computer-generated sounds. Enjoy this long-awaited performance of the celebrated "ATAK Night 4", staged by outstanding sound artists together with YCAM. <br />
<br />
<br />
<b><font style="font-size: 1.25em;">YCAM Concert Series "sound tectonics"</font></b><br />
<b>Sound art as a manifestation of originality: a station on YCAM's pursuit of new expression and technique</b><br />
<br />
Since its opening, YCAM has been exploring the original expressive potential of electronic music and sound art. When focusing on the usage of media technology not only in video and other forms of visual expression, but especially also on its function in the realm of sound, we can perceive acoustically temporal and spatial qualities that haven't previously existed in art. It has been our mission to explore possible new forms of artistic expression that emerge when reevaluating the human senses of vision, hearing and touch on an equal basis.<br />
<br /><br /><br />
<font style="font-size: 0.8em;">
Organized by Keiichiro Shibuya (ATAK)<br />
Co-sponsor: Yamaguchi City Foundation for Cultural Promotion<br />
Support: Yamaguchi City, The Board of Education of Yamaguchi City<br />
Produced by ATAK, Yamaguchi Center for Arts and Media[YCAM]<br />
</font>]]>
    </content>
</entry>

<entry>
    <title>ENSEMBLES closing live &quot;Networks&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/live/2008/06/ensembles-closing-live-network.html" />
    <id>tag:www.ycam.jp,2008:/en/live//12.760</id>

    <published>2008-06-13T04:12:33Z</published>
    <updated>2008-10-12T03:35:36Z</updated>

    <summary>1st setChoi Joon-Yong(opened cdplayer/Se...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/live/">
        <![CDATA[1st set<br />Choi Joon-Yong(opened cdplayer/Seoul), Hong Chulki(turntable/Seoul), Jin Sangtae(hard-disk drives, laptop/Seoul), Otomo Yoshihide(turntable/Tokyo)<br /><br />2nd set<br />Yamamoto Seiichi + Otomo Yoshihide Project<br /><br />3rd set<br />FEN [Yuen Chee Wai(laptop, piano/Singapore), Ryu Hankil(inside clock/Seoul), Yan Jun(laptop, voice/Beijing), Otomo Yoshihide(guitar, turntable/Tokyo)], Yamamoto Seiichi(guitar/Kyoto)<br />]]>
        <![CDATA[A dream duo of rare guitarist Otomo Yoshihide and Yamamoto Seiichi will perform. In addition, new unit "Far East Network" of Otomo Yoshihide and musicians from Singapore, South Korea and China performs with Seiichi Yamamoto as a guest player.<br /><br /><br /><font style="font-size: 0.8em;">［Organizer］ Yamaguchi City Foundation for Cultural Promotion<br />［Support］ Yamaguchi City, Yamaguchi City Board of Education, UK-JAPAN2008<br />［Co
-sponsor］ Asahi Beer Arts Foundation, The Kao Foundation for Arts and
Sciences, the Agency for Cultural Affairs Government of Japan in the
fiscal 2008<br />［Cooperation］ sendai mediatheque, CALLITHUMP<br />［Special Thanks］ NHK ENTERPRISES, OFFICE SHIROUS<br />［Sponsorship］ Acoustic Technical Laboratory, Meyer Sound Laboratories Inc.<br />［Produced by］ Yamaguchi Center for Arts and Media (YCAM) <br />［Technical Support］ YCAM InterLab<br />［Project Curator］ Kazunao Abe (YCAM) </font><br />]]>
    </content>
</entry>

<entry>
    <title>orchestras opening live &quot;Musics&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/live/2008/06/orchestras-opening-live-musics.html" />
    <id>tag:www.ycam.jp,2008:/en/live//12.759</id>

    <published>2008-06-13T04:02:58Z</published>
    <updated>2008-09-01T07:49:29Z</updated>

    <summary>1st set: OTOMORCHESTRAThe first set is a...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/live/">
        <![CDATA[1st set: OTOMORCHESTRA<br /><br />The first set is a session in which participating musicians perform
pieces of music simultaneously in many different places in the building
of YCAM. Elementary school children and junior high school students
participating in the sound workshop join this performance.<br /><br />Performers: ONJO, Takamine Tadasu, Ameya Norimizu, sound workshop participants, Oto-asobi-no-kai, rewall, Ogawa Kimiyo, Watanabe Hideki, Makino Takuma, Mohri Yuko, Gosho Junko, Yuasa Manabu,<br />Matsushima Tamasaburo, and many others<br /><br /><br />2nd set: ONJO(otomo yoshihide's new jazz orchestra)<br /><br />In the second set, musicians give competitive performances in an installation of scrap materials in Studio A.<br /><br />2nd set: ONJO(otomo yoshihide's new jazz orchestra)<br />Performers: ONJO [Otomo Yoshihide(g, perc, tt), Kahimi Karie(vo), Okura Masahiko(as, bcl, tubes), Aoki Taisei(tb, flute), Ishikawa Ko(shou), Sachiko M(sinewaves), Unami Taku(computer with objects), Takara Kumiko(vib), Mizutani Hiroaki(b), Yoshigaki Yasuhiro(ds, tp), Kondoh Yoshiaki(live sound engineering)], Ameya Norimizu(noise), UNO-MAN(tentekomai）etc<br /><br /><br /><br /><br />]]>
        <![CDATA[<font style="font-size: 0.8em;">［Organizer］ Yamaguchi City Foundation for Cultural Promotion<br />［Support］ Yamaguchi City, Yamaguchi City Board of Education, UK-JAPAN2008<br />［Co
-sponsor］ Asahi Beer Arts Foundation, The Kao Foundation for Arts and
Sciences, the Agency for Cultural Affairs Government of Japan in the
fiscal 2008<br />［Cooperation］ sendai mediatheque, CALLITHUMP<br />［Special Thanks］ NHK ENTERPRISES, OFFICE SHIROUS<br />［Sponsorship］ Acoustic Technical Laboratory, Meyer Sound Laboratories Inc.<br />［Produced by］ Yamaguchi Center for Arts and Media (YCAM) <br />［Technical Support］ YCAM InterLab<br />［Project Curator］ Kazunao Abe (YCAM) </font>]]>
    </content>
</entry>

<entry>
    <title>ENSEMBLES opening live &quot;Songs&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/live/2008/06/ensembles-opening-live-songs.html" />
    <id>tag:www.ycam.jp,2008:/en/live//12.758</id>

    <published>2008-06-13T03:15:04Z</published>
    <updated>2008-07-07T08:23:16Z</updated>

    <summary><![CDATA[ 		1st set:&nbsp;&nbsp;&nbsp; Kahimi Kar...]]></summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/live/">
        <![CDATA[
		1st set:&nbsp;&nbsp;&nbsp; Kahimi Karie's Invisible Songs<br />2nd set:&nbsp;&nbsp;&nbsp; without songs<br />3rd set:&nbsp;&nbsp;&nbsp; Otomo Yoshihide's Invisible Songs ]]>
        <![CDATA[The first set is Kahimi Karie's first photo installation concert, and in this session, photos that she took are projected on a large screen. The second set involves Benedict Drew, who works in performance, sound and video, and DJ Tranquilizer (Aoyama Yasutomo and Otomo Yoshihide). The third set is Otomo Yoshihide's new project "Invisible Songs", centering around vocalists, Kahimi Karie, Hamada Mariko and Yamamoto Seiichi.<br /><br /><br /><font style="font-size: 0.8em;">［Organizer］ Yamaguchi City Foundation for Cultural Promotion<br />［Support］ Yamaguchi City, Yamaguchi City Board of Education, UK-JAPAN2008<br />［Co-sponsor］ Asahi Beer Arts Foundation, The Kao Foundation for Arts and Sciences, the Agency for Cultural Affairs Government of Japan in the fiscal 2008<br />［Cooperation］ sendai mediatheque, CALLITHUMP<br />［Special Thanks］ NHK ENTERPRISES, OFFICE SHIROUS<br />［Sponsorship］ Acoustic Technical Laboratory, Meyer Sound Laboratories Inc.<br />［Produced by］ Yamaguchi Center for Arts and Media (YCAM) <br />［Technical Support］ YCAM InterLab<br />［Project Curator］ Kazunao Abe (YCAM) </font><br />]]>
    </content>
</entry>

<entry>
    <title>Ryoji Ikeda audiovisual concert &quot;datamatics［ver.2.0］</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/live/2008/01/ryoji-ikeda-audiovisual-concer.html" />
    <id>tag:www.ycam.jp,2008:/en/live//12.563</id>

    <published>2008-01-09T06:17:04Z</published>
    <updated>2008-03-03T08:40:11Z</updated>

    <summary>Ryoji Ikeda&apos;s project datamatics is an a...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/live/">
        <![CDATA[Ryoji Ikeda's project datamatics is an art project that explores the
potentials to perceive the invisible multi-substance of data that
permeates our world.<br />
<br />
datamatics [ver 2.0] is the new, fullﾐlength version of Ryoji Ikeda's
acclaimed audiovisual concert. Ikeda has significantly developed the
earlier version of this piece (premiered in March 2006), adding a newly
commissioned second part.<br />
<br />
Driven by the primary principles of datamatics, but objectively
deconstructing its original elements - sound, visuals and even source
codes - this new work creates a kind of meta-datamatics. Ikeda employs
real-time programme computations and data scanning to create an
extended new sequence that is a further abstraction of the original
work.<br />
<br />
The technical dynamics of the piece, such as its extremely fast frame
rates and variable bit depths, continue to challenge and explore the
thresholds of our perceptions.<br />
<br />
"datamatics [prototype] showed Ikeda at the height of his powers,
building on his own unique and unmistakable artistic language." -The
Wire, 2006<br />

<br />
<strong>MOVIE</strong><br />
<a href="%20http://www.ycam.jp/mov/datamatics_mov.html" target="_&quot;blank&quot;"><img src="http://www.ycam.jp/live/photo/datamatics.jpg" border="0" /></a>

<a href="http://www.ycam.jp/mov/datamatics_mov.html" target="_&quot;blank&quot;">extracted from datamatics [ver.1.0] © Ryoji Ikeda 2006-08</a>

<br />
<br />

<br /><font style="font-size: 0.8em;">
concept, composition: Ryoji Ikeda<br />

computer graphics, programming: Shohei Matsukawa, Daisuke Tsunoda, Norimichi Hirakawa, Tomonaga Tokuyama<br />

co-commissioned by AV Festival 06, ZeroOne San Jose &amp; ISEA 2006 <br />

produced by Forma<br />

co-produced by Les Spectacles Vivants-Centre Pompidou and YCAM<br />

supported by Recombinant Media Labs</font><br />]]>
        
    </content>
</entry>

<entry>
    <title>YCAM performance lounge #2 / Rogues&apos; Gallery Gasoline Music &amp; Cruising in Yamaguchi</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/live/2007/10/ycam-performance-lounge-2-rogu.html" />
    <id>tag:www.ycam.jp,2007:/en/live//12.413</id>

    <published>2007-10-26T02:51:12Z</published>
    <updated>2007-12-23T06:00:46Z</updated>

    <summary>You can drive through familiar sights in...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="roguesgallerygasolinemusiccruisinginyamaguchirelatedscreeningmalanoche" label="!!Rogues&apos;Gallery Gasoline Music&amp;Cruising in Yamaguchi Related screening &quot;MALA NOCHE&quot;" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/live/">
        <![CDATA[You can drive through familiar sights in town while time is felt alive with realistic soundsÑüthe scenery seen from a car window with sound effects of the engine, turn signal, etc.<br /><br /> ]]>
        <![CDATA[Rogues' Gallery takes the wheel in Yamaguchi! They prepare a drive with large sound by processing the sound in a car equipped with a high power sound system. This legendary "drive" was performed for three years from 1994, and revived in 2006 after an interval of eight years. <br />Citroen XM-X is used, and only two people can experience this drive at a time. Participants experience the drive looking at the scenery in town with not only eyes and ears but also the whole body, along the driving route selected from the artist's point of view.<br /><br />Please enjoy the art of "space" and "time" as well as the possibility of performing art away from the theater space in YCAM's second Performance Lounge in Yamaguchi Prefecture.<br /><br />Official website:<a href="http://roguesgallery.jp/"> Rogues' Gallery </a><br /><br />● Demonstration + Passenger registration<br />Saturday, December 1, 2007; 17:00~17:30<br />Venue: Near by the parking lot entrance<br /><br />"Gasoline Music &amp; Cruising" is demonstrated.<br />Everyone who is interested in "Gasoline Music and Cruising" and those who want to board the car are invited to attend.<br />Note: If there are more boarding applicants than the capacity, they are selected by drawing lots.<br /><br /><br />● Gasoline Music &amp; Cruising in Yamaguchi<br />December 8 (Sat.) ~ December 16 (Sun.), 2007<br />(Closed one day during this period)<br /><br />Admission: Free<br /><br />The drive is conducted eight times all together. <br />(One drive per day: the number of participants is up to two each day.)<br />The drive is conducted approximately for one hour in the evening.<br />Each participant will be informed of the details of the drive after participants are decided.<br />Note: Participants of junior high school students and under must be accompanied by their guardians.<br /><br />● You are invited to send in information on attractive driving routes in Yamaguchi!<br />Application period: November 1 (Thurs.) ~ December 6 (Thurs.), 2007<br /><br />Roguesﾕ Gallery office in YCAM<br />http://rogues.ycam.jp/ (available from November 1)<br />You are invited to introduce attractive driving routes and spots in Yamaguchi, online or at Roguesﾕ Gallery office in YCAM.<br /><br />Please send us information about attractive driving spots for the night that you would recommend among familiar sights, such as a night view with bright lights of a shopping center seen from a highway, or a hill where night view is beautiful. Roguesﾕ Gallery will produce Yamaguchiﾕs original driving routes referring to your information. <br /><br />Note:<br />_Your information is used only as a good guide to Roguesﾕ Gallery works, and will not be open to the public.<br />_We might make a request that you accompany Roguesﾕ Gallery to visit a specific spot to make a preliminary inspection some day from December 1st to sixth. In that case, we will inform you directly.<br />_Your personal information is not used for the purpose other than Yamaguchi City Foundation for Cultural Promotion and this project of Roguesﾕ Gallery.<br /><br />*YCAM Performance Lounge<br />This series introduces artists who are searching for potentials of new performing art. You can enjoy a great line-up of artists trying to communicate ﾒthe presentﾓ through a good command of different ways of expression, including theater and dance.<br /><br /><br /><br />]]>
    </content>
</entry>

<entry>
    <title>opening event &quot;Corpora in Si(gh)te&quot; laptop sound concert</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/live/2007/09/opening-event-corpora-in-sight.html" />
    <id>tag:libra.ycam.jp,2007:/en/live//12.223</id>

    <published>2007-09-24T12:58:30Z</published>
    <updated>2007-10-15T03:28:52Z</updated>

    <summary>laptop sound concert...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="corporainsighterelatedeventpastaarchitectureworkshop" label="!!&quot;Corpora in Si(gh)te&quot;Related event &quot;pasta-architecture&quot; workshop" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mediaarchitectureexhibitiondoublenegativesarchitecturecorporainsighte" label="!!media architecture exhibition / doubleNegatives Architecture &quot;Corpora in Si(gh)te&quot;" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="openingeventcorporainsightegallerytourbyartists" label="!!opening event &quot;Corpora in Si(gh)te&quot; gallery tour by artists" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="openingeventdoublenegativesarchitecturecorporainsighteartisttalk" label="!!opening event doubleNegatives Architecture &quot;Corpora in Si(gh)te&quot; artist talk" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/live/">
        <![CDATA[laptop sound concert<br />]]>
        <![CDATA[<h3>Ticket information</h3> <p><a href="http://www.ycfcp.or.jp/" target="_blank">Yamaguchi City Foundation for Cultural Promotion </a>(in YCAM):083-920-6111</p> <ul><li>The
ticket booking system is available only in Japanese. To use the online
ticket booking service, membership registration (free of charge) is
required. To register online membership and book ticket(s), please
click <a href="http://www.ycfcp.or.jp/" target="_blank">here.</a>(only in Japanese)</li><li>At the window / by phone (only in Japanese)<br /> Ticket information, Yamaguchi City Foundation for Cultural Promotion (in YCAM)<br /> Tel: 083-920-6111 <br /> (Office hours: 10:00 - 19:00 / Closed on Tuesday, or the following day in case of holiday)</li></ul><br />
<hr><br /><br /><b>Organizer:</b> Yamaguchi City Foundation for Cultural Promotion<br /><b>
Support:</b><u> </u>Embassy of Switzerland, Embassy of the Republic of Hungary in Tokyo, Yamaguchi City, The Board of Education of Yamaguchi City<br /><b>Special Cooperation:</b> University of the Arts Zurich (ZHdK), Department Interaction Design, Zurich Switzerland, Nextlab, Budapest Hungary<br /><b>Cooperation:</b> The Asahi Shimbun<br /><b>Produced by:</b> Yamaguchi Center for Arts and Media (YCAM)<br /><b>Co-production:</b> YCAM InterLab<br /><b>Project Curator:</b> Kazunao Abe (YCAM)<br />]]>
    </content>
</entry>

<entry>
    <title>サン・ラ・アーケストラ / 太陽が招く宇宙のドラマ</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/live/2007/09/post.html" />
    <id>tag:60.45.200.152,2007:/live//7.19</id>

    <published>2007-09-04T15:06:27Z</published>
    <updated>2007-09-04T15:09:34Z</updated>

    <summary>JAZZから実験音楽まで、世界のあらゆる音楽シーンから多大なリスペクトを浴びてい...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/live/">
        <![CDATA[JAZZから実験音楽まで、世界のあらゆる音楽シーンから多大なリスペクトを浴びているサン・ラー・アーケストラ。サン・ラー存命中に制作された秘蔵映像とともについにYCAM来演。<br /><br />サン・ラー・アーケストラのリーダー、マーシャル・アレンと、ギタリストR.E.マホニー、映像作家ジェームズ・ハラーが繰り広げる映像×音楽によるスペシャルプログラム。太陽系と深い宇宙の闇を突き抜けてたどり着いた美しい旅が、ついにYCAMに舞い降ります。 <br /><br /> ]]>
        <![CDATA[マーシャル・アレンは40年代からミュージシャンとして活動を開始。サン・ラー・アーケストラに参加した50年代中盤から世界の最先端の音楽を牽引し続けている存在で、サン・ラー亡き後、95年からサン・ラー・アーケストラのリーダーを務め、現在80歳を超えながら精力的な活動を展開しています。ジョン・コルトレーンからソニックユースに至るまで、世代、音楽ジャンルを問わず幅広い影響を与え、リスペクトを集めるマーシャルは、歳を重ねてよりいっそうの洗練と深みをきわめた音楽は絶対に聞き逃せません。 <br /><br />今回の公演は、ジェームズ・ハラーが作り出したミステリアスな映像が、マーシャル×R.E.マホニーによる即興演奏にジョイント。ネイティブアメリカンの彼の本名は、現地の言葉でライジング・サンの意味を持ち、ジェームズとマーシャルの出会いは運命に導かれた出会いともいえるでしょう。さらに今回は、60年代末〜70年代前半にアーケストラが遊び心たっぷりに撮影し撮りためていた日本未公開フィルムの上映も敢行!公演時間中ひと時も目を離す事のできない注目のプログラム。しかもスペシャルゲストは山本精一(BOREDOMS、ROVO)という豪華ナイトです。<br /><br />]]>
    </content>
</entry>



<entry>
    <title><![CDATA[YCAM InterLab + Yoko Ando Joint Research and Development Project &quot;Reactor for Awareness in Motion&quot; Workshop]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/performingarts/2013/02/ram-workshop.html" />
    <id>tag:www.ycam.jp,2013:/en/performingarts//11.3444</id>

    <published>2013-02-23T09:00:00Z</published>
    <updated>2013-02-24T09:09:17Z</updated>

    <summary>The evolving relationship between body a...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="ycaminterlabyokoandojointresearchanddevelopmentprojectreactorforawarenessinmotionpresentation" label="!!YCAM InterLab + Yoko Ando Joint Research and Development Project Reactor for Awareness in Motion Presentation" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/performingarts/">
        <![CDATA[<p><strong>The evolving relationship between body and perception mediated by technology<br />
Introducing the outcome of YCAM's Joint Research Project with Yoko Ando</strong></p>
<br />
<iframe src="http://player.vimeo.com/video/57226277?title=0&amp;byline=0&amp;portrait=0" webkitallowfullscreen="" mozallowfullscreen="" allowfullscreen="" frameborder="0" height="236" width="420"></iframe> <p><a href="http://vimeo.com/57226277">Yoko Ando + YCAM InterLab "Reactor for Awareness in Motion" promotional video</a> from <a href="http://vimeo.com/ycam">YCAM</a> on <a href="http://vimeo.com/">Vimeo</a>.</p>
<br />
<p id="aeaoofnhgocdbnbeljkmbjdmhbcokfdb-mousedown">With the aim of exploring new possibilities in dance and technology, YCAM, together with Yoko Ando, a leading dancer from The Forsythe Company, and software development experts from US and Japan, carried out the "Reactor for Awareness in Motion" project, focusing on the research and development of tools for dance creation. A workshop in which participants create a dance piece using the tools developed in the project will take place as well.</p>

]]>
        <![CDATA[<br /><hr><br />
<p><strong>RAM: A machine that expands our notion of body movement.</strong></p>
<br />
<img src="http://www.ycam.jp/education/images/2012_ram_02.jpg" width="420" height="315" />
<br />
<p>Together with Yoko Ando, YCAM has been working on the "Reactor for Awareness in Motion (RAM)" project, focusing on the research and development of tools for dance creation, since 2011. RAM is based on the idea of perceiving dance as something generated from a dialogue between bodies and the environment, stage space and other dancers, rather than pre-determined choreography. A new scheme of dance accompanying a different perception of the body emerges from this conception. Through this project, a tool has been developed that can apply a virtual environment to a dancer's body. Dancers inherently discover rules and strategies to create new dance with this tool.</p>
<br />
<p><strong>RAM Dance Toolkit</strong></p>
<br />
<p>The tool currently being developed uses motion capture technology to detect the movements of dancers, then converts the responses from the surrounding environment into images, sounds and vibrations. Since the environment can be programmed by the users, the application's potential is great. Once development is completed, the tool will be packaged as "RAM Dance Toolkit" and made publicly available as open source. An education program utilizing the tool is to in development as well.</p>
<br /><hr><br />
<p><strong id="">Meet the cutting-edge of dance and technology: Workshop</strong></p>
<br />
<img src="http://www.ycam.jp/education/images/2012_ram_03.jpg" width="420" height="280" />
<br />
<p>At the end of the two-year research project, research participants will present their results. A workshop is currently being developed in which participants will create a dance piece using the tool. Research participants Yoko Ando, YCAM InterLab, Yoshito Onishi, Satoru Higa, Motoi Shimizu, Kyle McDonald and Cyril Baldy will demonstrate how to use the tool, describe its technical details and conduct an interactive exercise. By building mutual understanding, participants will create a dance piece as a group. It is hoped that this workshop, where cutting edge dancers and programmers gather, facilitates collaboration between dance and technology and expands the boundaries of what art can accomplish.</p>
<br />
<br />
<div style="background-color:#EEE;padding:1.5em">
<p><strong>How to apply</strong></p>
<p>Email or FAX the items below</p>
<p id="aeaoofnhgocdbnbeljkmbjdmhbcokfdb-mousedown">- Name, Address, Male / Female, Date of Birth<br />
- TEL or Email Address<br />
- Dancer / Choreographer / Programmer (Be specific if not above)<br />
- Previous experience in dance, programming or other relevant activities.</p>
<br />
<p><strong>to</strong></p>
<p>workshop@ycam.jp<br />
083-901-2216</p>
</div>
<br />
<p style="font-size: 0.8em; ">Organized by: Yamaguchi City Foundation for Cultural Promotion<br />
In association with: Yamaguchi City, Yamaguchi City Board of Education<br />
Supported by the Agency for Cultural Affairs, Government of Japan in the fiscal 2012<br />
Special support: Goethe Institut<br />
Equipment cooperation: NAC Image Technology, Motion Analysis Corporation, Color Kinetics Japan Incorporated<br />
Produced by: Yamaguchi Center for Arts and Media [YCAM]</p>]]>
    </content>
</entry>

<entry>
    <title><![CDATA[YCAM InterLab + Yoko Ando Joint Research and Development Project &quot;Reactor for Awareness in Motion&quot; Presentation]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/performingarts/2013/02/ram-presentation.html" />
    <id>tag:www.ycam.jp,2013:/en/performingarts//11.3445</id>

    <published>2013-02-23T05:00:00Z</published>
    <updated>2013-02-24T09:10:13Z</updated>

    <summary>The evolving relationship between body a...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="ycaminterlabyokoandojointresearchanddevelopmentprojectreactorforawarenessinmotionworkshop" label="!!YCAM InterLab + Yoko Ando Joint Research and Development Project Reactor for Awareness in Motion Workshop" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/performingarts/">
        <![CDATA[<p><strong>The evolving relationship between body and perception mediated by technology<br />
Introducing the outcome of YCAM's Joint Research Project with Yoko Ando</strong></p>
<br />
<iframe src="http://player.vimeo.com/video/57226277?title=0&amp;byline=0&amp;portrait=0" width="420" height="236" frameborder="0" webkitallowfullscreen="" mozallowfullscreen="" allowfullscreen=""></iframe> <p><a href="http://vimeo.com/57226277">Yoko Ando + YCAM InterLab "Reactor for Awareness in Motion" promotional video</a> from <a href="http://vimeo.com/ycam">YCAM</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<br />
<p id="aeaoofnhgocdbnbeljkmbjdmhbcokfdb-mousedown">With the aim of exploring new possibilities in dance and technology, YCAM, together with Yoko Ando, a leading dancer from The Forsythe Company, and software development experts from US and Japan, carried out the "Reactor for Awareness in Motion" project, focusing on the research and development of tools for dance creation. Research participants, including
Ando and YCAM InterLab, will present results from the project, inviting Cyril Baldy as a guest demonstrator.</p>]]>
        <![CDATA[<br /><hr><br />
<p><strong>RAM: A machine that expands our notion of body movement.</strong></p>
<br />
<img src="http://www.ycam.jp/education/images/2012_ram_02.jpg" width="420" height="315" />
<br />
<p>Together with Yoko Ando, YCAM has been working on the "Reactor for Awareness in Motion (RAM)" project, focusing on the research and development of tools for dance creation, since 2011. RAM is based on the idea of perceiving dance as something generated from a dialogue between bodies and the environment, stage space and other dancers, rather than pre-determined choreography. A new scheme of dance accompanying a different perception of the body emerges from this conception. Through this project, a tool has been developed that can apply a virtual environment to a dancer's body. Dancers inherently discover rules and strategies to create new dance with this tool.</p>
<br />
<p><strong>RAM Dance Toolkit</strong></p>
<br />
<p>The tool currently being developed uses motion capture technology to detect the movements of dancers, then converts the responses from the surrounding environment into images, sounds and vibrations. Since the environment can be programmed by the users, the application's potential is great. Once development is completed, the tool will be packaged as "RAM Dance Toolkit" and made publicly available as open source. An education program utilizing the tool is to in development as well.</p>
<br /><hr><br />
<p><strong id="">Meet the cutting-edge of dance and technology: Presentation</strong></p>
<br />
<img src="http://www.ycam.jp/education/images/2012_ram_03.jpg" width="420" height="280" />
<br />
<p>At the end of the two-year research project, research participants will present their results. Sharing the philosophy of body and dance behind RAM, we will reflect on the process of shaping these ideas into a tool. In
addition to explaining the technical aspects of the technology either motion capture, sensors and software, Cyril Baldy from The Forsythe Company will demonstrate the tool.</p>
<br />
<p style="font-size: 0.8em; ">Organized by: Yamaguchi City Foundation for Cultural Promotion<br />
In association with: Yamaguchi City, Yamaguchi City Board of Education<br />
Supported by the Agency for Cultural Affairs, Government of Japan in the fiscal 2012<br />
Special support: Goethe Institut<br />
Equipment cooperation: NAC Image Technology, Motion Analysis Corporation, Color Kinetics Japan Incorporated<br />
Produced by: Yamaguchi Center for Arts and Media [YCAM]</p>]]>
    </content>
</entry>

<entry>
    <title>Keiichiro Shibuya + Toshiki Okada Opera Performance &quot;The End&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/performingarts/2012/12/the-end.html" />
    <id>tag:www.ycam.jp,2012:/en/performingarts//11.3070</id>

    <published>2012-12-01T10:00:00Z</published>
    <updated>2012-12-05T02:55:50Z</updated>

    <summary>Examining possibilities of vocaloid perf...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/performingarts/">
        <![CDATA[<p><strong>Examining possibilities of vocaloid performers in the most cutting-edge opera currently feasible</strong></p>
<br />
<p>Musician/artist Keiichiro Shibuya and stage director Toshiki Okada present a new opera work realized during both artists' residency at YCAM. No human singers or orchestra appear in this piece, but aria and recitativo parts are performed by vocaloid engine, is a singing software application, and video characters instead. In a scenario that progresses without any humans on stage, "The End" from Japan shakes up the human-centered conception of the opera format in Europe, while generating and traversing all sorts of underlying dichotomies in art - life/death, natural/synthetic voice, public/private, part/whole, line/layer, etc. - to make this opera a totally new emotional experience for the spectator.</p>]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[Gob Squad &amp; CAMPO &quot;Before Your Very Eyes&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/performingarts/2012/11/before-your-very-eyes.html" />
    <id>tag:www.ycam.jp,2012:/en/performingarts//11.3410</id>

    <published>2012-11-02T10:30:00Z</published>
    <updated>2012-11-08T02:44:13Z</updated>

    <summary>&quot;We are all speeding towards death&quot; Witn...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/performingarts/">
        <![CDATA[<p><strong>"We are all speeding towards death"<br />
Witness 7 lives lived in fast forward</strong></p>
<br />
<p>British-German performance company Gob Squad present their first theater production in Japan at the Yamaguchi Center for Arts and Media [YCAM].</p>]]>
        <![CDATA[<br />
<hr>
<br />
<p><strong>Performance artists Gob Squad make their first ever appearance on a Japanese stage!</strong></p>
<br />
<img alt="Revolution Now!" src="http://www.ycam.jp/performingarts/images/2012_before-your-very-eyes_01.jpg" width="420" height="280" />
<p style="text-align:right; font-size:0.8em">Gob Squad "Revolution Now!" (2010/Photo: David Baltzer)</p>
<br />
<p>In accordance with their own proclamation of "pursuing an intersection of theater, art, media and reality," Gob Squad have been staging experimental performances incorporating media technology in the form of imagery and sound at subway stations, hotel rooms, and other locations at the heart of urban life since the group's formation. Their highly playful and spontaneous works involving spectators that involuntarily become part of "what happens at that time and place" could be classified as "games of setting up dramatic mechanisms in the middle of daily life."<br />
While the artists have consistently appeared on stage as performers and executors in their efforts establishing such "theater" with unpredictable endings in their previous works, "Before Your Very Eyes" marks the first attempt in the group's history to feature children who has joined at the age of 7 - 12 at the beginning of the production instead of the Gob Squad members themselves. </p>
<br />
<p><strong>A collaboration with Belgian children</strong></p>
<br />
<p>This work was produced as part of a trilogy commissioned by the CAMPO art center in Gent (Belgium) to three groups. The idea behind the project was to send the artists on a mission creating works in a style that they had never previously worked with. In concrete terms, the assignment was to produce works featuring children, but targeting adult audiences.<br />
The members of Gob Squad started working with 14 children selected from among two hundred 7 to 12-year-old applicants in 2009. Over a period of about three years they regularly held workshops, until the work was finally completed.</p>
<br />
<hr>
<br />
<p><strong>"Before Your Very Eyes" - Children illustrating the process of growing up and getting old</strong></p>
<br />
<img alt="Before Your Very Eyes" src="http://www.ycam.jp/performingarts/images/2012_before-your-very-eyes_02.jpg" width="420" height="280" />
<p style="text-align:right; font-size:0.8em" id="">Gob Squad &amp; CAMPO "Before Your Very Eyes" (Photo: Phile Deprez)</p>
<br />
<p>The theme of this work is "growing up and getting old". Still rather far from "getting old", children dressed in punk style attire present a high-speed rendition of a human being's growth up to death, accompanied by music including Queen's hit "Don't Stop Me Now" and a number of other songs. Thanks to the vivid visual contrast, and very Gob Squad-like pop style and sense of humor the work is charged with, "Before Your Very Eyes" has attracted much attention since it was first unveiled in 2011. The piece was nominated for the "Theatertreffen" theater forum in Germany among others, and has been shown at places around the globe including Europe, North America and Australia. This time's event at YCAM will be the first time the piece is performed in Japan.  </p>
<br />
<p><strong>"Gob Squad Proudly Present real live children" <br />
(roughly translated from a line of the play)</strong></p>
<br />
<p>In the workshops during the production process, the Gob Squad members asked the children to the freedom of speech, from personal to world affairs, while at the same time encouraging them to imagine themselves in the future, as in, "What do you think you could do if you were 45 right now?" The bulk of these lines for this piece eventually came together by combining the collected individual episodes and wishes expressed by the children.<br />
In order to maximize the appeal of the resulting dialogues in the play, the group worked out an overly tricky mise en scene including a special, one-way glass-paneled stage set, and the use of videos of the performers (children) filmed back at the time of the workshops.</p>
<br />
<hr>
<br />
<p><strong>Post-performance talk event with artists and cast</strong></p>
<br />
<p id="">On both days, there will be a post performance talk after each show. Guests on the first day are the cast and dramaturg Pascale Petralia, while the Gob Squad members appear on the second day*) to review the piece's production process, and answer questions from the audience. At the same time, the "after hour café" is set up in the lobby, where visitors can make use of a special YCAM-developed application to share ideas. We are looking forward to your visit to the talk session and after hour café, both excellent opportunities to chat with artists, performers and other spectators, and thereby gain a deeper insight into the work. <br />
*) via Skype</p>
<br />
<hr>
<br />
<p style="font-size:0.8em" id=""><strong>Gob Squad &amp; CAMPO "Before Your Very Eyes"</strong><br />
Japan Premiere (World Premiere: 2011 April, Berlin HAU1)<br />
<br />
Concept, Design &amp; Direction: <br />
Gob Squad (Johanna Freiburg, Sean Patten, Berit Stumpf, Sarah Thom, Bastian Trost &amp; Simon Will)
<br />
Produced by: <br />
CAMPO, Gob Squad<br />
<br />
Developed with: <br />
Martha Balthazar, Maurice Belpaire, Spencer Bogaert, Zoë Breda, Faustijn De Ruyck, Ramses De Ruyck, Fons Dhossche, Tasja Doom, Gust Hamerlinck, Robbe Langeraert, Zoë Luca, Jeanne Vandekerckhove, Aiko Vanparys &amp; Ineke Verhaegen</p>
<br />
<p style="font-size:0.8em" id="">Co-produced by: <br />
Hebbel am Ufer, Berlin; FFT Düsseldorf; Noorderzon/Grand Theatre Groningen; NEXT Festival, Eurometropole Lille-Kortrijk-Tournai + Valenciennes, Künstlerhaus Mousonturm, Frankfurt; La Bâtie - Festival de Genève (CH) </p>
<br />
<img src="http://www.ycam.jp/performingarts/images/2012_before-your-very-eyes_03.gif" /><br />
<br />
<p style="font-size:0.8em" id="aeaoofnhgocdbnbeljkmbjdmhbcokfdb-mousedown">Organized by: Yamaguchi City Foundation for Cultural Promotion<br />
In association with: Yamaguchi City, Yamaguchi City Board of Education, Flanders Center<br />
Supported by the Agency for Cultural Affairs Government of Japan in the fiscal 2012<br />
Special support: British Council<br />
Produced by: Yamaguchi Center for Arts and Media [YCAM]</p>]]>
    </content>
</entry>

<entry>
    <title><![CDATA[YCAM performance lounge #6Tadasu Takamine &quot;How not to think ?&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/performingarts/2012/06/ycam-performance-lounge-6-1.html" />
    <id>tag:www.ycam.jp,2012:/en/performingarts//11.3047</id>

    <published>2012-06-23T06:00:00Z</published>
    <updated>2012-07-09T14:50:30Z</updated>

    <summary> A peculiar performance starring senior ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="ycamperformancelounge6brtadasutakaminequotjapansyndromeinyamaguchiquot" label="<![CDATA[!!YCAM performance lounge #6<br/>Tadasu Takamine &quot;Japan Syndrome in Yamaguchi&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/performingarts/">
        <![CDATA[ <p><strong>A peculiar performance starring senior citizens of Yamaguchi, created by spectators and performers</strong></p>
<br />
<p>This event takes place in a tent set up in the Chuo Park in front of YCAM. All performers are Yamaguchi residents that were selected from among applicants aged 60 and above. Positioned behind a screen, they respond with improvised silhouette performances to "requests" sent from visitors via a control panel installed in the audience.</p><div id="fastlookup_top"></div>]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[YCAM performance lounge #6Tadasu Takamine &quot;Japan Syndrome in Yamaguchi&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/performingarts/2012/06/ycam-performance-lounge-6-2.html" />
    <id>tag:www.ycam.jp,2012:/en/performingarts//11.3046</id>

    <published>2012-06-23T02:00:00Z</published>
    <updated>2012-07-09T14:50:38Z</updated>

    <summary> Up-and-coming artists and their takes o...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="ycamperformancelounge6brtadasutakaminequothownottothinkquot" label="<![CDATA[!!YCAM performance lounge #6<br/>Tadasu Takamine &quot;How not to think ?&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/performingarts/">
        <![CDATA[ <p><strong>Up-and-coming artists and their takes on "life thereafter"</strong></p>
<br />
<p>This video work deals with the vague sense of anxiety that has been infused into our lives since the nuclear accident in Fukushima in March 2011, and the fissures the incident has caused to arise between human individuals. The movie shows local residents selected from among applicants conducting interviews in the streets of Yamaguchi. The sensitive conversations reveal subtle aspects of "life thereafter" in Yamaguchi.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Symposium &quot;Forsythe Dance Study Exchange&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/performingarts/2012/03/forsythe-dance-study-exchange.html" />
    <id>tag:www.ycam.jp,2011:/en/performingarts//11.2786</id>

    <published>2012-03-03T04:30:00Z</published>
    <updated>2012-09-12T10:32:25Z</updated>

    <summary> Born from the ideas of choreographer Wi...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/performingarts/">
        <![CDATA[ <b>Born from the ideas of choreographer William Forsythe<br/>
A long-term project exploring the potentials of dance and media technology</b><br />
<br />

The Yamaguchi Center for Arts and Media [YCAM] is carrying out the "Reactor for Awareness in Motion" project focusing on the research and development of tools for dance production built upon the ideas of William Forsythe, a choreographer who has had a profound impact on the realm of contemporary physical expression, as a basic concept, with the aim to explore new possibilities in dance.<br/>
Coming up next is a symposium with guest speakers that serves at once as an occasion for an interim report, and an opportunity to introduce study cases of the Ohio State University's research and development team, dealing with common themes surrounding William Forsythe, dance, and technology.<br/>
The project is designed to investigate ways of technically understanding the act of dance through observations of the body and how it receives and processes environmental information, as well as working out possible future approaches from the creative side.<br/>
This event will showcase the present state of physical expression, while interpreting the endeavors of research and development teams from Japan and the USA in comparison with historical examples related to the combination of dance and technology; all from the
viewpoint of dance defined by the mechanisms and perception systems of the human bod<br />

Presenters:<br />

[Synchronous Objects]<br />
Benjamin Schroeder (Researcher in computer science / Graduate Researcher of ACCAD at The Ohio State University)<br />

[Reactor for Awareness in Motion]<br />
YCAM InterLab＋Yoko Ando（Dancer / The Forsythe Company）<br />
*Riley Watts（Dancer / The Forsythe Company）as a guest dancer<br />
 
Guest Speakers：<br />
Takashi Ikegami（Researcher in complex systems / Professor at University of Tokyo）<br />
Johannes Birringer (Media choreographer / Professor at Brunel University)<br />
<br />
<br />
<span style="font-size:0.8em">Organized by: Yamaguchi City Foundation for Cultural Promotion<br />
In association with: Yamaguchi City, Yamaguchi City Board of Education<br />
Supported by the Agency for Cultural Affairs Government of Japan in the fiscal 2011<br />
Cooperation: Goethe-Institut<br />
Produced by: Yamaguchi Center for Arts and Media[YCAM]</span>]]>
        
    </content>
</entry>

<entry>
    <title>Yoko Ando  Dance demonstration</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/performingarts/2011/04/post-1.html" />
    <id>tag:www.ycam.jp,2011:/en/theater//11.2785</id>

    <published>2011-04-23T12:35:26Z</published>
    <updated>2011-06-02T06:51:53Z</updated>

    <summary>The artist herself will show a demonstra...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="lsquoreactingspacefordividualbehaviorlsquoworkshop" label="<![CDATA[!!&lsquo;Reacting Space for Dividual Behavior&lsquo; Workshop]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="gallerytournoritoshihirakawaquotbeyondthesunbeamthroughtreesquotyokoandoquotreactingspacefordividualbehaviorquot" label="<![CDATA[!!Gallery tour (Noritoshi Hirakawa &quot;Beyond the sunbeam through trees&quot; / Yoko Ando &quot;Reacting Space for Dividual Behavior&quot;)]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="yokoandonewinstallationbrquotreactingspacefordividualbehaviorquot" label="<![CDATA[!!Yoko Ando new installation<br />&quot;Reacting Space for Dividual Behavior&quot;]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/performingarts/">
        <![CDATA[The artist herself will show a demonstrative performance staged in the setting of the <em>Reacting Space for Dividual Behavior</em> installation. <br />
<br />
*As a related event, a body workshop with Yoko Ando based on the exhibition is scheduled to be held the event period.
]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[Android-Human Theater &quot;Sayonara (Good-bye)&quot; / Robot-Human Theater &quot;I, Worker&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/performingarts/2011/04/android-human-theater-sayonara.html" />
    <id>tag:www.ycam.jp,2011:/en/theater//11.2770</id>

    <published>2011-04-11T03:56:03Z</published>
    <updated>2011-06-19T07:49:03Z</updated>

    <summary> Collaboration between theatre and cutti...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/performingarts/">
        <![CDATA[ <b>Collaboration between theatre and cutting-edge robot technology<br />
A two-day opportunity for close encounters with robots and theatre entertainment of the third kind</b><br />
<br />
This event comprises performances of two pieces realized as part of the Robot-Human Theatre project by Oriza Hirata, a Japanese leading playwright and director, and internationally renowned roboticist Hiroshi Ishiguro. The theatre play <em>I, Worker</em> features a communication robot named "wakamaru", while the android "Geminoid F", modeled on and bearing an astonishing resemblance to a real person, appears alongside a (human) actress in <em>Sayonara</em>. Illustrating a new kind of relationship between man and robot, this piece aims to encourage the viewer to ponder such concepts as "humanness" and "human soul". Each of the two performances will be followed by a different related event, including a talk event with special guests discussing the Robot-Human Theatre project and its evolvability, and on day two, an occasion for visitors to experience robots at close range.<br />
The event will at once be an opportunity to familiarize with cutting-edge technology, and explore new creative territory ushered by the combination of robotics and theatre.<br />]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[The World of Dance in Word and Image vol.2&quot;Talk and Screening: A Tribute to Tatsumi Hijikata&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/performingarts/2011/04/the-world-of-dance-in-word-and.html" />
    <id>tag:www.ycam.jp,2011:/en/theater//11.2769</id>

    <published>2011-04-11T03:42:31Z</published>
    <updated>2011-09-25T10:59:14Z</updated>

    <summary> Rediscovering the history and fascinati...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/performingarts/">
        <![CDATA[ <b>Rediscovering the history and fascination of performing arts<br />
Tatsumi Hijikata - A Butoh dancer who continues to inspire artists around the globe</b><br />
<br />
This second installment in a series of special screenings focusing on the history of performing arts, and the allurement of body-based expression as illustrated in moving images, is dedicated to Tatsumi Hijikata (1928-1986), whose influence as a dancer and initiator of Ankoku-Butoh has been affecting not only the realm of body expression, but also such varied fields as art and literature. In a dance performance inspired by and adopting the title of Hijikata's writing Yameru Maihime (Ailing Dancer/La Danseuse malade), up-and-coming choreographer Boris Charmatz adapts the philosophy of Butoh, a performing art that has been fascinating numerous dancers in Japan and around the world. In addition, specially invited talk guests will offer a broad introduction of one accomplished artist and his great achievements during the event period.<br />
[Details will be available from announced in late July]<br />]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[Rihoko Sato &quot;SHE&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/performingarts/2011/04/rihoko-sato-she.html" />
    <id>tag:www.ycam.jp,2011:/en/theater//11.2767</id>

    <published>2011-04-11T03:16:20Z</published>
    <updated>2011-12-11T10:53:02Z</updated>

    <summary> Solo dance performance directed by Sabu...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/performingarts/">
        <![CDATA[ <b>Solo dance performance directed by Saburo Teshigawara  <br />
A new dimension in body expression highlighted in a refined mixture of physical expression and spatial composition</b><br />
<br />
This solo performance is directed by Saburo Teshigawara, a choreographer and dancer with a growing worldwide reputation also in the realms of visual and video art. Next to appearing in all group pieces staged under Teshigawara's choreography since 1996, Rihoko Sato has also been a solo dancer in some of Teshigawara's works. Her dance emphasizes a highly physical form of expression with a feeling of blending with the stage environment while freely changing the textures of her movements. Continuously fascinating audiences around the world since its first performance in 2009 with a refined spatial composition balancing aspects of noise and silence, narration and music, imagery and light, this piece ushers in a new dimension in body-based expression.<br />
<br />
* Planned as an associated event is a workshop with Rihoko Sato.<br />
* The performance will be followed by a talk session with the artist. <br />
]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[Zan Yamashita  new performance piece&quot;It is something like a garden&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/performingarts/2011/04/zan-yamashita-new-performance.html" />
    <id>tag:www.ycam.jp,2011:/en/theater//11.2766</id>

    <published>2011-04-11T02:53:00Z</published>
    <updated>2012-02-17T05:48:01Z</updated>

    <summary>Uniquely experimental modes of creation ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="ycamoriginalworkshoprelatedeventzanyamashitanewperformancepiecequotitissomethinglikeagardenquot" label="<![CDATA[!!YCAM Original Workshop (Related event: Zan Yamashita new performance piece &quot;It is something like a garden&quot;)]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/performingarts/">
        <![CDATA[<b>Uniquely experimental modes of creation come together in an original co-production<br />
A new encounter of "body and language"</b><br />
<br />
The latest creation of Zan Yamashita, a choreographer/dancer who has been showing performances revolving around uniquely structured dance inspired by language, is a co-production with theatre facilities at YCAM, ST Spot (Yokohama) and AI-HALL (Hyogo). This time Yamashita challenges an experimental performance format that incorporates text elements by methods much different from orthodox theatre. Look forward to witnessing a form of communication that is razor-sharp and sometimes quite humorous, by an artist who is noted for his various creation methods and production processes, and in recent years especially also for his collaborations with several creators from across Asia.<br />
<br />]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[Tsuyoshi Shirai&times;YCAM video dance project&quot;Choreography filmed: 5 days of movement&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/performingarts/2010/08/tsuyoshi-shiraishi-ycam-video.html" />
    <id>tag:www.ycam.jp,2010:/en/theater//11.2529</id>

    <published>2010-08-24T02:51:57Z</published>
    <updated>2010-12-27T09:33:49Z</updated>

    <summary>Original video piece co-produced by YCAM...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="tsuyoshishiraitimesycamvideodanceprojectbrquotchoreographyfilmed5daysofmovementquotpresentationofanewvideopiece" label="<![CDATA[!!Tsuyoshi Shirai&times;YCAM video dance project<br />&quot;Choreography filmed: 5days of movement&quot; - Presentation of a new video piece]]>" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/performingarts/">
        <![CDATA[<b>Original video piece co-produced by YCAM<br />
Exploring relevant possibilities of "video and the human body" through live Internet streaming<br /></b>
<br />
Continuing our pursuit of new forms of artistic expression focusing on body expression and current film culture, the Yamaguchi Center for Arts and Media [YCAM] is currently producing the second video (dance) piece since the Center's opening. <br />
Based on the idea behind one of choreographer/dancer Tsuyoshi Shirai's most well-known dance pieces, "mass, slide, &." (first staged in 2004), this project is an attempt to reconstruct the piece into a video in a collaborative process with the YCAM staff and the artist. The half-year-long project includes five days of filming and Internet streaming of all footage, and will culminate in a screening event with the artist, scheduled for January 2011. The idea is to pursue new forms of dance/video expression that emerge in the process from production to presentation from video images of the body, and from the choreographic component in the visual composition. In addition, the project's outline embraces technical aspects of filming and editing, as well as audio-visual environments including issues of distribution and access, with the aim to a examine the relationship between video and dance in the present age.<br />
<br />
<b>* The progression of the entire project can be followed via a special website (<a href="http://c-filmed.ycam.jp/">http://c-filmed.ycam.jp/</a>) that is now open.</b><br />
<br />
<b>
Filming & Internet live streaming:</b><br />
August 24 (Tue) - 28 (Sat) 13:00-20:00<br />
<a href="http://c-filmed.ycam.jp/">http://c-filmed.ycam.jp/</a><br />
Performance: Tsuyoshi Shirai(choreographer/dancer)<br />
* Please understand that we might not be able to respond to inquiries on Tuesday, August 24, as YCAM is closed that day.<br />
<b>Screening of a new video piece:</b><br />
January 23 (Sun) 14:00<br />
Venue: YCAM, Studio C<br />
Guest: Tsuyoshi Shirai   Admission free<br />
 <br />


]]>
        <![CDATA[<br/>
<object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/2hS2W47FlHY?fs=1&amp;hl=ja_JP"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/2hS2W47FlHY?fs=1&amp;hl=ja_JP" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object>
<br />
<br />
<img src="http://www.ycam.jp/theater/photo/shirai_pr2_w.jpg" /><br />
<font style="font-size: 0.8em;">Tsuyoshi Shirai + YCAM video dance project<br />
"Choreography filmed: 5days of movement" test scene (2010)</font><br />
<br />
<br /><b>Tsuyoshi Shirai + YCAM video dance project<br />
"Choreography filmed: 5 days of movement"<br />
Yamaguchi Center for Arts and Media [YCAM] residency video production & screening<br />
<br /></b><br />
In this project, YCAM and choreographer/dancer Tsuyoshi Shirai examine aspects of movement and choreography in video film, and explore relevant possibilities of "film and the human body".<br />
Over the period of five days, Shirai's dance is filmed, broadcast live, and subsequently edited (choreographed) as a video piece, whereas the (edited) video itself weighs just as heavy as the question how the viewer experiences it. This project was designed as an opportunity to explore the meaning of producing a video/dance piece, and of the discussion itself of the relationship between dance and video.  <br />
<br />]]>
    </content>
</entry>

<entry>
    <title><![CDATA[&quot;A Tribute to Pina Bausch - The World of Dance in Word and Image&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/performingarts/2010/04/a-tribute-to-pina-bausch---the.html" />
    <id>tag:www.ycam.jp,2010:/en/theater//11.2369</id>

    <published>2010-04-15T03:17:45Z</published>
    <updated>2010-04-17T13:46:43Z</updated>

    <summary>Special event illustrating the history a...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/performingarts/">
        <![CDATA[<b>Special event illustrating the history and fascination of dance in conversations and rare footage of Pina Bausch</b><br />
<br />
This special program consists of three documentary films and a talk event recapitulating the achievements of the world-renowned choreographer who suddenly passed away in June 2009. In various rare footage, and a conversation with her former manager and supporter for 16 years, the event portrays a unique artist whose continuous impact exceeded by far the boundaries of dance, theatre and art, since the 1970s, and even after her death. While looking back on the transition of performing arts from modern to contemporary, visitors will be invited to surrender to the irresistible charm of Pina Bausch as a choreographer and as a person, and explore the possibilities of the human body as captured on video.<br />
<br />
<br />]]>
        <![CDATA[<br />
<b>[Screening title]<br />
"Auf der Suche nach Tanz"<br /></b>
<font style="font-size: 0.8em;">1991 / Director: パトリツィア・コルブード / 29min / DVD<br />
※ドイツ語音声（音声ガイドによる日本語通訳）translation: Ayako Kuwabara<br /></font>
<br />
<b>"One Day Pina Bausch has asked"<br /></b>
<font style="font-size: 0.8em;">1983 / Director: シャンテル・アカーマン / オリジナル58分の抜粋版／DVD<br />
※ドイツ語音声（音声ガイドによる日本語通訳）translation: Ayako Kuwabara<br /></font>
<br />
<b>"Pina Bausch"<br />
<font style="font-size: 0.8em;">2006/ Director: アンネ・リンゼル / オリジナル43分の抜粋版／DVD<br />
※ドイツ語音声（音声ガイドによる日本語通訳） translation: Akiko Yamashita<br /></font>
<br />
<br />
<b>applications and inquiries:</b><br />
Please Send email entitled "A Tribute to Pina Bausch: Application" with
i) Name in full<br />
ii) Address; with telephone number, e-mail address.<br />
deadline: April 11 (sun)<br />
<br />
7-7 Nakazono-cho, Yamaguchi, 753-0075 JAPAN<br />
Attn: Performing arts staff "A Tribute to Pina Bausch"<br />
TEL: +81-83-901-2222/FAX: +81-83-901-2216<br />
e-mail: pina@ycam.jp<br />
<br />
<br />
<b>Related event<br /></b>
<b>"ELA NAVE VA"</b><font style="font-size: 0.8em;">（1983 / Director: Federico Ferrini / 127min / DVD）</font><br />
April 18 (sun)13:30, April 19 (mun)14:00<br />
Venue: Studio C  Admission free<br />
]]>
    </content>
</entry>

<entry>
    <title><![CDATA[YCAM Performance Lounge #5  faifai &quot;A Story of Y O'Clock&quot;+ contact Gonzo's Performance]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/performingarts/2010/04/ycam-performance-lounge-5-faif.html" />
    <id>tag:www.ycam.jp,2010:/en/theater//11.2356</id>

    <published>2010-04-14T13:39:40Z</published>
    <updated>2010-05-17T06:45:46Z</updated>

    <summary>&quot;YCAM Performance Lounge&quot; is a series of...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="finished" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/performingarts/">
        <![CDATA["YCAM Performance Lounge" is a series of events designed to convey the fun and fascination of a stage production, allowing the audience to experience dancers and actors up close. Held every year in the spring, the program aims at once to function as a stimulator encouraging people to come back and watch dance and theatre performances at YCAM, and to communicate in a direct manner the power of an up-and-coming new type of physical expression. As an additional gateway enhancing the enjoyment of performing arts, a temporary café invites visitors to exchange with the artists after the performances. <br />
<b>(faifai "A Story of Y O'Clock": Performed in Japanese with English supertitles. )</b><br />
<br /><br />]]>
        <![CDATA[<br />
<b><font style="font-size: 1.25em;">Theatre company "faifai"</font></b><br />
<br />
<img src="http://www.ycam.jp/en/theater/photo/faifai_w.jpg" /><br />
<font style="font-size: 0.8em;">faifai "A Story of Y O'Clock" (2010, Tokyo)  photo: Kazuya Kato</font><br />
<br />
The company consists of members from various backgrounds and nationalities, most of them in their late 20s. Filling each of their shows with lots of ideas borrowed from the fields of dance, video, music, party and even catering, faifai operate far outside the ready-made concept of theatre, and always make sure to offer their audiences an explosive mixture of fun and amazement.<br />
Generally performed in a freely experimenting manner, their portraits of multilayered identities using cell phones or blogs, and cool parodies of mass consumer society, result from the members' sharp observations of contemporary society. Looking at reality from a unique standpoint, faifai focus on the positive side of things, and suggest through their works to simply enjoy each moment in life. This approach reflects intensely the body sensation and sprachgefuhl of this new generation of artists that are gaining popularity among a broad audience in the realm of theatre and beyond.<br />
<br />
<br />
<b><font style="font-size: 1.25em;">Performance group  "contact Gonzo"</font></b><br />
<br />
<img src="http://www.ycam.jp/en/theater/photo/contactGonzo_w.jpg" /><br />
<font style="font-size: 0.8em;">contact Gonzo photo: Toda Yoichi</font><br />
<br />
Based on "contact improvisation", an improvisational dance method focusing on the direct mutual transfer of body weight and power through body contact, the group has developed an original style incorporating forms of "contact" known from the realm of martial arts, such as punching, kicking, timing and defense.
The group's sudden appearances at museums and public spaces that are securely maintained for whatever purpose cause instant transformations of the respective setting, that stimulate the senses of those who witness these performances. The four artists' almost excessive looking bodily encounters propose a new form of communication that reactivates our senses as we are entombed in the safe and sound environments of daily life.<br />
The show this time features special guest Tetsuya Umeda, an artist known for sound installations and live concerts utilizing objects found in his direct environment. <br />
<br />
<br /><b><u><font style="font-size: 1.25em;">performance piece　faifai "A Story of Y O'Clock"</font><br /></u>
The fantastic melodrama situated in an after-school daycare center generated a strong response. When it was first shown in Japan two years ago. The play now comes back in a longer remastered version! <br />
Children's interests never meet adults'convenience, but they meet at Y o'clock.</b>
<br />
<img src="http://www.ycam.jp/theater/photo/faifai_Rji.jpg" /><br />
<font style="font-size: 0.8em;">faifai "A Story of R O'Clock" (2007)  photo: kazuya Kato</font><br />
<br />
A Story of R O'Clock, a fantastic melodrama set in a daycare center that generated a strong response when first staged in 2007, returns in a longer, upgraded version. The piece incorporates elements of puppet theatre, anime, computer games and other formats, to illustrate an entanglement of childlike worlds and adult rules. The contrast of a child's half-dreamed, half-imagined reality, and the adult sphere surrounding it, will refresh every grown-up viewer's childhood memories, while arrangements and gimmicks that everyone of us has surely dreamt up once or twice make this performance highly enjoyable for young and old alike. <br />
<b>(Performed in Japanese with English supertitles. )</b><br />
<br />
<br />

<b><font style="font-size: 1.25em;">"Performance + Theatre + Cafe"</font><br />
The fascination of performing arts condensed in an annual spectacle!</b><br />
Prior to the opening of the "faifai" performance group's latest production, A Story of Y O'Clock, there will be a performance by Contact Gonzo. In addition, the "After Hour Cafe" that opens temporarily after the show at the same venue provides visitors with a place to meet and exchange views with each other and the performers. The Cafe will also host special events for the ultimate one-day experience of performing arts and all the fun around. <br />
Special events this time will be a laptop live performance by Shuta Hasunuma, who is responsible for the music in A Story of Y O'Clock (on 5/15), and "Let's play with faifai!", an occasion to join the faifai members and play around with the various stage props used in their performance (on 5/16).<br />
<br />
<br />
<b><font style="font-size: 1.25em;">Schedule</font></b><br />
<hr><br /><b>May 15 (sat)</b><br />
<u>18:30 start<br /></u>
<b>contact Gonzo's performance</b><br />
Venue: Hoyer etc    Admission free<br />
↓<br />
<u>19:00 start<br /></u>
<b>faifai "A Story of Y O'Clock"</b><br />
Venue: Studio B    * Entry with performance ticket<br />
↓<br />
<u>play through<br /></u>
<b>"After Hour Cafe"</b><br />
Venue: in front of Studio B   * Separate ticket required<br />
<b>Special event<br /></b>
laptop live performance by Shuta Hasunuma<br />
<br />
<u>Close　16:30<br /></u>
<br />
<hr><br />
<b>May 16 (sun) </b><br />
<u>13:30 start<br /></u>
<b>contact Gonzo's performance</b><br />
Venue: Hoyer etc    Admission free<br />
↓<br />
<u>14:00 start<br /></u>
<b>faifai "A Story of Y O'Clock"</b><br />
Venue: Studio B    * Entry with performance ticket<br />
↓<br />
<u>play through<br /></u>
<b>"After Hour Cafe"</b><br />
Venue: in front of Studio B   * Separate ticket required<br />
<b>Special event<br /></b>
"Let's play with faifai!" by faifai members<br />
<br />
<u>Close　16:30<br /></u>
<br />
<hr><br />
<font style="font-size: 0.8em;"><b>faifai "A Story of Y O'Clock"</b><br />
Text: Yoko Kitagawa<br />
Direction: Chiharu Shinoda<br />
Cast: Mai Nakabayashi, Kouji Yamamoto, Yasushi Takeda, Shiro Amano<br />
Stage management: Megumi Sato<br />
Stage design: Ayami Sasaki<br />
Lighting / Object design: Goh Ueda<br />
Video: Shiro Amano, Ayami Sasaki<br />
Sound: Daisuke Hoshino<br />
Music: Shuta Hasunuma<br />
Costume / Puppet design: Kyoko Fujitani<br />
Diorama：Yui Yamamoto<br />
Flyer design: Kensaku Kato (TOKYO PISTOL)<br />
Photo: Kazuya Kato<br />
Character design: Naoko Shinpou<br />
Managed by: Mihoko Kawamura<br />
Special thanks to: HEADZ<br />
<br />
<b>contact Gonzo's performance<br /></b>
Cast: Yuya Tsukahara, Keigo Mikajiri, Itaru Kato, Yu Kanai<br />
Guest: Tetsuya Umeda<br />
<br />
<br />
Organized by: Yamaguchi City Foundation for Cultural Promotion<br />
In association with: Yamaguchi City, Yamaguchi City Board of Education<br />
Agency for Cultural Affair<br />
Produced by: Yamaguchi Center for Arts and Media [YCAM]<br /></font>]]>
    </content>
</entry>



<entry>
    <title>YCAM InterLab + Yoko Ando Joint Research and Development &quot;Reactor for Awareness in Motion&quot; Presentation &amp; Workshop (2013.1.12 release)</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/" />
    <id>tag:www.ycam.jp,2013:/en//16.3450</id>

    <published>2013-01-18T06:44:11Z</published>
    <updated>2013-01-18T06:45:50Z</updated>

    <summary> ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="Press Release" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/">
         
        
    </content>
</entry>

<entry>
    <title>Symposium &quot;Forsythe Dance Study Exchange&quot; (2012.2.10 release)</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/" />
    <id>tag:www.ycam.jp,2012:/en//16.2997</id>

    <published>2012-02-19T04:22:46Z</published>
    <updated>2012-02-19T04:27:52Z</updated>

    <summary> ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="Press Release" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/">
         
        
    </content>
</entry>

<entry>
    <title>LabACT vol.2 Seiko Mikami &quot;Eye-Tracking Informatics&quot; (2011.11.4 release)</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/" />
    <id>tag:www.ycam.jp,2011:/en//16.2973</id>

    <published>2011-12-08T09:50:25Z</published>
    <updated>2011-12-08T09:57:09Z</updated>

    <summary> ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="Press Release" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/">
         
        
    </content>
</entry>

<entry>
    <title>Dialogue &amp; Concert &quot;The Future of Art and Environment as seen from the Year 2050&quot;(2011.10.31 release)</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/" />
    <id>tag:www.ycam.jp,2011:/en//16.2969</id>

    <published>2011-11-30T09:41:39Z</published>
    <updated>2011-11-30T09:45:06Z</updated>

    <summary> ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="Press Release" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/">
         
        
    </content>
</entry>

<entry>
    <title>Guest Research Project vol .1 - Projecter Camera Toolkit (2011.9.8 release)</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/" />
    <id>tag:www.ycam.jp,2011:/en//16.2963</id>

    <published>2011-11-23T02:56:09Z</published>
    <updated>2011-11-23T03:00:09Z</updated>

    <summary> ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="Press Release" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/">
         
        
    </content>
</entry>

<entry>
    <title>LabACT vol.1  We connect to the world through our eyes- Eye-Tracking study &quot;The EyeWriter&quot; (2011.9.16 release)</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/" />
    <id>tag:www.ycam.jp,2011:/en//16.2939</id>

    <published>2011-10-02T06:45:03Z</published>
    <updated>2011-10-02T07:19:40Z</updated>

    <summary> ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="Press Release" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/">
         
        
    </content>
</entry>

<entry>
    <title>scopic measure #13 Ryoichi Kurokawa &quot;rheo: 5 horizons&quot; (2011.8.24 release)</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/" />
    <id>tag:www.ycam.jp,2011:/en//16.2937</id>

    <published>2011-10-02T06:41:54Z</published>
    <updated>2011-10-02T06:42:44Z</updated>

    <summary> ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="Press Release" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/">
         
        
    </content>
</entry>

<entry>
    <title>Live Concer t Series - sound tectonics #10 / Installation Series (commissioned by YCAM)- sound tectonics installation (2011.8.24 release)</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/" />
    <id>tag:www.ycam.jp,2011:/en//16.2936</id>

    <published>2011-10-02T06:37:57Z</published>
    <updated>2011-10-02T06:40:23Z</updated>

    <summary> ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="Press Release" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/">
         
        
    </content>
</entry>

<entry>
    <title>YCAM Research and Development &quot;YCAM InterLab Camp vol. 2 -  TECHTILE&quot; (2011.7.23)</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/" />
    <id>tag:www.ycam.jp,2011:/en//16.2886</id>

    <published>2011-08-05T10:44:13Z</published>
    <updated>2011-08-05T10:47:28Z</updated>

    <summary> ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="Press Release" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/">
         
        
    </content>
</entry>

<entry>
    <title>Noritoshi Hirakawa &quot;Beyond the sunbeam through trees&quot;（commissioned by YCAM) (2011.5.8)</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/" />
    <id>tag:www.ycam.jp,2011:/en//16.2833</id>

    <published>2011-05-28T09:44:33Z</published>
    <updated>2011-05-28T09:45:45Z</updated>

    <summary> ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="Press Release" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/">
         
        
    </content>
</entry>

<entry>
    <title>Yoko Ando &quot;Reacting Space for Dividual Behavior&quot; (commissioned by YCAM) (2011.5.9)</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/" />
    <id>tag:www.ycam.jp,2011:/en//16.2832</id>

    <published>2011-05-28T09:40:01Z</published>
    <updated>2011-05-28T09:50:23Z</updated>

    <summary> ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="Press Release" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/">
         
        
    </content>
</entry>

<entry>
    <title>Carsten Nicolai + Marko Peljhan &quot;polar m [mirrored]&quot; (Commissioned by YCAM) (2011.01.08)</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/" />
    <id>tag:www.ycam.jp,2011:/en//16.2665</id>

    <published>2011-01-09T01:31:16Z</published>
    <updated>2011-01-09T02:38:51Z</updated>

    <summary> ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="Press Release" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/">
         
        
    </content>
</entry>

<entry>
    <title>Fujiko Nakaya + Shiro Takatani new installation &quot;CLOUD FOREST&quot; (2010.7.01)</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/" />
    <id>tag:www.ycam.jp,2010:/en//16.2488</id>

    <published>2010-07-21T14:58:49Z</published>
    <updated>2010-07-21T14:59:44Z</updated>

    <summary> ...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="Press Release" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/">
         
        
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<entry>
    <title>OPENING EVENTS - Fujiko Nakaya + Shiro Takatani  new installation  &quot;CLOUD FOREST&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/news/opening-events---fujiko-nakaya.html" />
    <id>tag:www.ycam.jp,2010:/en//16.2487</id>

    <published>2010-07-21T14:42:55Z</published>
    <updated>2010-07-21T15:01:03Z</updated>

    <summary>It is our great pleasure to announce &quot;CL...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/">
        <![CDATA[It is our great pleasure to announce "CLOUD FOREST" an exhibition proposing
new forms of environmental creation through a fusion of artistic expression and technology, at Yamaguchi Center for Arts and Media [YCAM].<br/>
<br/>
Located at three main venues in and around the YCAM building, the exhibition features
the "fog sculptures" of Fujiko Nakaya, who has frequently exhibited her works to
great international acclaim, coupled with Shiro Takatani' s creations using light and sound.
The resulting large-scale installation project unfolded in a novel form of collaboration combining the elements each artist specializes in.  e interaction with information technology, along with various sensuous and spatial transformations, will suggest new forms of environmental creation to those who witness the various appearances of these installations mixing arti cial fog, sunlight and sound.  e exhibition is at once an occasion to introduce and reevaluate E.A.T's foresighted art and science projects originally presented at the EXPO '70 Osaka, which eventually inspired this new project, while exploring the possibility of creative quests through art.<br/>
Look forward to a prospect of future "artistic environmental spheres" emerging from contemporary informational environments, illustrated by means of commissioned original works created in-residency at YCAM.<br />
<br /><br />
<b>■OPENING EVENTS<br />
Demonstrative Performance<br />
August 7 (sat) 19:00-20:00<br/></b>
Venue: Foyer, Patios　Admission free<br/>
Performance: Fujiko Nakaya, Shiro Takatani, softpad (Takuya Minami, Tomohiro Ueshiba, Hiroshi Toyama)<br/>
In addition to Fujiko Nakaya and Shiro Takatani, the members of Kyoto-based art/design collective softpad, who took charge of the sound design for this exhibition, participate in a special experimental live performance incorporating the fog, light and sound installations in the patios and foyer.<br/>
<br/>
<b>Artist Talk<br/>
August 8 (sun) 14:00-16:00<br/></b>
Venue: Studio B　Admission free<br/>
Guests: Fujiko Nakaya, Shiro Takatani<br/>
Moderator: Akira Asada<br/>
Artists involved in this exhibition appear as special guests in a casual talk session that gives them the opportunity to introduce their works. Moderator will be Akira Asada, a specialist in the field who is familiar with each artist's endeavors to date. While referring to the work of E.A.T. at the 1970 Osaka Expo's Pepsi Pavilion, which inspired this project in the first place, the artists will look back at such trailblazing achievements as Nakaya's "fog sculptures" and David Tudor's soundscapes originally presented at the Expo, and discuss the developments and prospects now, four decades later.<br/>
<br/>
<br />
<br />
<strong>■Exhibition outline<br />
Fujiko Nakaya + Shiro Takatani 　"CLOUD FOREST"<br />
new installation, commissioned by YCAM<br /></strong>
August 7 (sat) - October 17 (sun), 2010<br />
10:00-19:00（in August -20:00）<br />
Yamaguchi Center for Arts and Media [YCAM] Patio, Foyer, Central Park<br />
Admission free<br />
Closed Tuesday * Cancelled in case of rain at the Central Park<br />
<br />
* There will be guided gallery tours offered during the period of the exhibition. Please check the <a href="http://www.ycam.jp/en/education/2010/04/gallery-tour-fujiko-nakaya-shi.html">website</a> for more information on additional event.<br />
* Please notice that the artworks cannot be viewed as part of the regular exhibition between 17:00 and 20:00 on August 7th, as the performance on this day takes place in the patios and foyer.]]>
        
    </content>
</entry>

<entry>
    <title><![CDATA[Fujiko Nakaya &#43; Shiro Takataninew installation  &quot;CLOUD FOREST&quot;]]></title>
    <link rel="alternate" type="text/html" href="http://www.ycam.jp/en/" />
    <id>tag:www.ycam.jp,2010:/en//16.2486</id>

    <published>2010-07-01T14:41:12Z</published>
    <updated>2010-07-21T14:41:37Z</updated>

    <summary>http://www.ycam.jp/en/art/2010/04/fujiko...</summary>
    <author>
        <name>ウェブマスター（情報制作課）</name>
        
    </author>
    
        <category term="Information" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="ja" xml:base="http://www.ycam.jp/en/">
        http://www.ycam.jp/en/art/2010/04/fujiko-nakaya-shiro-takatani-n.html 
        
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